A gentle tale of intergenerational bonding that will appeal to budding artists.
A child seeks the perfect gift for her grandmother’s upcoming college graduation.
To mark Sadie’s kindergarten graduation, Grandma gave her a necklace with the Hebrew word for life, transliterated as chai. Grandma explains that chai is represented by the number 18, which is considered lucky. Sadie hopes to repay the favor by giving Grandma a bouquet of 18 flowers for her own graduation. It’s the perfect gift: The two of them enjoy making art together, and Grandma especially loves creating flowers. So Sadie tries out different methods to construct her bouquet—pressing dandelions, creating flowers using cardboard and crayon—but nothing feels right. After Grandma explains why she loves flowers so much (quoting Marc Chagall, she says, “They’re life itself, in all its happy brilliance”), Sadie finds inspiration and makes the perfect bouquet. Jewish culture, specifically Ashkenazi traditions such as dancing the hora to klezmer music, imbues this straightforward story with depth. Inspired by Jewish paper-cutting folk art, White’s illustrations are soft and cozy, dominated by mossy green and beige. Swoops and strokes of color make the story feel intimate, almost like an art project itself. Grandma has white hair and pale skin, Sadie has black hair and light brown skin, and supporting characters have a variety of skin tones and hair textures.
A gentle tale of intergenerational bonding that will appeal to budding artists. (glossary, Hebrew alphabet guide, author’s note, photograph) (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781636551210
Page Count: 52
Publisher: Red Comet Press
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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