by Alison McGhee & illustrated by Harry Bliss ‧ RELEASE DATE: Aug. 1, 2002
McGhee debuts for children with a very funny story about a girl who tries desperately to cope with not knowing how to tie her shoes. She’s been told that this is a requirement for kindergartners, but she just can’t get the knack. So she tries to rid herself of the problem: ditching her shoes in a haystack (her mother finds them, “Looky here—the missing shoes and that needle I’ve been searching for!”), trying to feed them to the cat, and deploying one as a bath toy. But they are always returned to her. Despite her parents reassurance that many five-year-olds can’t do this either, all she can picture is a phalanx of teachers droning: “Once again: You can’t ask us for help. Ever. Never.” If she tries to run a scam with laceless shoes, she knows she’ll pay the piper—“I’m sorry,” she imagines her teacher saying, “Baby shoe-wearers have to take rest time in the sub-basement. Good Luck.” Or worse yet, she’ll have to wear a sandwich board broadcasting the news that she is “Velcro Girl.” Then the big day comes—her shoes neatly tied by her parents—and she learns that most of her comrades haven’t got the goods on their shoelaces. Laughter as antidote to worry works wonders. Most inspired is Bliss’s (Which Would You Rather Be?, p. 668, etc) layout: illustrations, usually divided into half-pages, march the story along to present the thrumming drama as the day draws near. His big-eyed little girl shares the panic with her cat, whose face reflects hers until “Two days before kindergarten,” when he’s seen sleeping in earmuffs to drown her out. Her narrative is set in standard type, but the wittiest of comments appear in balloons tying up the laughter. (Picture book. 3-7)
Pub Date: Aug. 1, 2002
ISBN: 0-15-202516-2
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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by Alison McGhee ; illustrated by Sean Qualls
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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