Percy doesn’t seem to have much of a destiny beyond chasing his favorite ball, but perhaps that is the point.
A black-and-white dog plays with his canine pals at a dog park, culminating in an encounter with a feisty, ball-stealing squirrel.
Percy is a bright-eyed dog of indeterminate breed, with a long, skinny tail and a black spot over one eye. He narrates the story with just a few words and a snappy attitude, using witty expressions such as “my little porkie pie” as a nickname for his beloved, special ball. (The genially archaic, repeated “What ho!” may raise more than a few eyebrows, given its unfortunate homonymic relationship to the modern slur.) Percy meets up with his three canine friends at the dog park, each having brought along a favorite toy. Molly is a standard poodle who carries a bandanna, Oatmeal Raisin Cookie is a dachshund with a Frisbee, and Fluffy is a huge, fierce-looking but gentle fellow toting a correspondingly huge bone. At the park, the dogs play together until a sassy squirrel faces off with Percy, trying to steal his ball. When the squirrel swipes Percy’s ball and then flings it from a tree, Fluffy solves the problem by leaping up to catch it. Minimalist, digitally produced illustrations use white backgrounds and a muted color palette to complement the sophisticated tone of the text. Percy’s long, pointed tail (presumably in perpetual motion) is frequently depicted as three distinct appendages; since there are no motion lines to help readers decode this, it appears that the dog is a tri-tailed anomaly.
Percy doesn’t seem to have much of a destiny beyond chasing his favorite ball, but perhaps that is the point. (Picture book. 4-7)Pub Date: March 28, 2017
ISBN: 978-1-59078-984-1
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
A sweet and far-from-cloying ode to love.
A mysterious love letter brightens the lives of three forest animals.
Appealing mixed-media illustrations made of ink, gouache, brush marker, and colored pencil combine with a timely message that one kind act can start a chain reaction of kindness. When Hedgehog, Bunny, and Squirrel stumble in turn upon a formally composed love letter, each finds their life improved: Squirrel is less anxious, Bunny spreads goodwill through helpfulness, and Hedgehog is unusually cheerful. As the friends converge to try to discover who sent the letter, the real author appears in a (rather) convenient turn: a mouse who wrote an ode to the moon. Though disappointed that the letter was never meant for them, the friends reflect that the letter still made the world a happier place, making it a “wonderful mix-up.” Since there’s a lot of plot to follow, the book will best serve more-observant readers who are able to piece the narrative cleanly, but those older readers may also better appreciate the special little touches, such as the letter’s enticing, old-fashioned typewriter-style look, vignettes that capture small moments, or the subdued color palette that lends an elegant air. Drawn with minimalist, scribbly lines, the creatures achieve an invigorating balance between charming and spontaneous, with smudged lines that hint at layers of fur and simple, dotted facial expressions.
A sweet and far-from-cloying ode to love. (Picture book. 4-8)Pub Date: Oct. 8, 2019
ISBN: 978-0-06-274157-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
And the littlest ones will demand to know where the heck that rabbit went.
Klassen’s coy effort combines spare illustration, simple, repetitive text and a “payback’s a bear” plot.
A somber, sepia-toned bear longs for his missing hat and questions a series of forest animals about its whereabouts. While everyone denies seeing it, a rabbit (sporting, readers will note, a pointy red chapeau) protests a bit too indignantly. Ten pages on, as the bear describes his hat for a solicitous deer, realization hits: “I HAVE SEEN MY HAT.” The accompanying illustration shows the indignant bear suffused in the page’s angry red. There’s the subsequent dash and confrontation, followed by bear in hat and rabbit—well, nowhere to be seen. Klassen’s ink-and-digital creatures, similarly almond-eyed and mouth-less, appear stiff and minimalist against creamy white space. Foliage is suggested with a few ink strokes (though it’s quite bashed-up after rabbit goes missing). The text type, New Century Schoolbook, intentionally evokes the visually comfy, eminently readable design of 1960s children’s primers. Font colors correlate with the animals’ dialogue as well as the illustrations’ muted color palette, and the four-sentence denials (first rabbit’s, then bear’s) structurally echo each other. Indubitably hip, this will find plenty of admirers. Others might react to a certain moral vapidity.
And the littlest ones will demand to know where the heck that rabbit went. (Picture book. 4-7)Pub Date: Sept. 27, 2011
ISBN: 978-0-7636-5598-3
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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