by Alison Owings ‧ RELEASE DATE: Sept. 1, 2002
Best when Owings steps back and lets the women speak for themselves.
From the author of Frauen (1993), another oral history of female experience, this one depicting food servers in American restaurants, ranging from upscale to fast food.
Feeling that the nation’s 1.5-million waitresses are underappreciated and under-studied, Owings traveled across the country collecting insights about this much-maligned occupation. Beginning with a bit of historical background, she profiles the first US waitresses: northern, urban women serving spirits in taverns. (Country establishments relied on family members; southern taverns used male slaves.) The proximity to alcohol and men gave rise to an occupational stigma that remains today. The author showcases a nice diversity of voices. Cathryn Smith, the first woman ever to work at New York’s La Côte Basque, took French lessons, went to France on extended leave to learn about wines, and went into the restaurant on her only day off each week to learn about carving and sauces. At the other end of the spectrum is Lorraine Talcove, a 73-year-old dishwasher at a Pizza Hut on Staten Island. Not surprisingly, the women who get paid a decent wage (at Berkeley’s Chez Panisse, $15 an hour plus tips) are more content than the majority who make $2 an hour plus tips. Owings seems somewhat naïve: she is shocked that the work is dangerous, that the women are sexually harassed, that many customers are insulting. She also brings cultural biases to the project. When interviewing a Native American at a small café an hour outside Tucson, the author patronizingly refers to the woman’s use of “archaic words like ‘naughty’. . . that may be a legacy of missionaries.” And she has an annoying habit of including unnecessary quotation marks within her sentences: “The table fit a stereotype that the staff had spotted ‘a mile away’ and that had been confirmed by orders of iced tea.”
Best when Owings steps back and lets the women speak for themselves.Pub Date: Sept. 1, 2002
ISBN: 0-520-21750-0
Page Count: 330
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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