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WHY I LOVE MY DAD

Pap created for a Hallmark holiday—nothing more.

This little girl's dad may not be able to do some things, but he's good at what he can do.

"My dad can't fly, / but he can fly a kite. // My dad can't roller-skate, / but he can ride a scooter," and so on. Rather illogically, after three more identically patterned statements, she concludes, "And that's why I love my dad... / and I know that he loves me...." Four pages of prompts that follow offer children the opportunity to personalize the book ("use a felt-tip pen, ballpoint pen, gel pen, crayon, or pencil for best results"). Bland watercolors of the same Caucasian dad failing or succeeding comically in front of his onlooking daughter accompany but do not elevate the text. The arbitrariness of the pairings (this dad "can't shoot hoops"; he "hulahoops" instead) is off-putting and is more likely to prompt argument than recognition in young readers. Aside from demonstrating that this dad is no handyman, the book does little to bust stereotypes, and the unvarying whiteness of the characters is another missed opportunity. A companion title, Why I Love My Mom, is equally undistinguished.

Pap created for a Hallmark holiday—nothing more. (Picture book. 3-5)

Pub Date: April 7, 2015

ISBN: 978-1-4998-0035-7

Page Count: 22

Publisher: Little Bee Books

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

Categories:
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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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DAD

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.

Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.

From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)

Pub Date: May 12, 2026

ISBN: 9781250397041

Page Count: 48

Publisher: Balzer + Bray

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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