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GONE TO THE CRAZIES

A MEMOIR

Weaver’s adequate-but-no-more prose is perfectly suited to her tedious tale.

Self-absorbed memoir of a conventionally dysfunctional childhood on Manhattan’s Upper East Side.

The product of a well-heeled May-December marriage, Weaver spent her childhood in the care of nurses and nannies, feeling out of place at the posh parties her family attended. She adored her distant father, but had more mixed feelings about Mom, an alcoholic who insisted that her morning Bloody Mary was really Mr. & Mrs. T mix without the vodka, and who tried to mask the liquor on her breath with Binaca. Unsurprisingly, Weaver herself first got drunk at age nine (on a cruise ship in Alaska) and by 14 had become a regular lush. She ran through packs of cigarettes so quickly that even her super-cool shrink was concerned, and no one believed her when, after her mother found pot in her room, she claimed she was just holding it for a friend. She bounced from school to school, finally landing at Cascade, an institution in California that blended academics with an intense therapeutic protocol bordering on brainwashing. (Near the end of the book, she explains that Cascade, now closed, was in fact the offshoot of a cult.) Next came college and a spell in the California rave scene, followed by a move back to New York, where Weaver lived in the East Village, got into photography, took Ketamine and shared needles with an HIV-positive buddy. She’s currently recovered, though she makes it clear that hers is a complex sort of recovery in an irksomely self-important and melodramatic way: “What would you say if I told you that I slipped up and did cocaine two summers ago?”

Weaver’s adequate-but-no-more prose is perfectly suited to her tedious tale.

Pub Date: July 1, 2007

ISBN: 978-0-06-118958-6

Page Count: 256

Publisher: HC/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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