A vivid re-creation of a Tudor tragedy.
A lusty teenager caught the roving eye of Henry VIII.
Continuing a fictional chronicle of the Six Tudor Queens, Weir brings thorough research and spirited storytelling to her portrayal of Katheryn Howard, Henry VIII’s fifth wife. Katheryn was 19 when her manipulative, ambitious uncle, the Duke of Norfolk, and her stepgrandmother, the Dowager Duchess of Norfolk, summoned her with a proposal: Henry VIII had tired of his German wife, Anne of Cleves, and, rumor had it, had not yet consummated their marriage. He sought an annulment; soon he would need a new wife. The Howards saw Katheryn, one of Anne’s many maids of honor, as a means to elevate their position and wealth as well as to bring a Catholic into the court. Of course, Katheryn had to be—or pretend to be—a virgin. “Chastity is to be prized,” Katheryn knew. “But what was wrong with taking your pleasure where you found it?” She easily and ardently fell in love: with her music teacher; with a distant cousin, a rakish courtier who “rode her like a stallion, gasping and moaning” and insisted they were married; and with the handsome Tom Culpeper, whom she had known as a child. Now a good-looking man “with a strong jaw and high cheekbones,” he was an esteemed member of the king’s Privy Chamber. Weir sees Katheryn as an impetuous, superficial young woman—far less sympathetic than Jane Seymour or Katherine of Aragon—dazzled by wealth and glamour. As maid of honor, she exulted, “she would live in palaces, have beautiful gowns, dance and make merry.” To her great delight, seducing Henry involved many luxurious new vestments and jewels. After their marriage, “dizzy with elation,” she exclaimed to herself, “She really was queen!” But not for long: Betrayals, plots, subterfuge, and her unbridled passion caused “the whole glittering edifice” of her life to implode.
A vivid re-creation of a Tudor tragedy.Pub Date: May 12, 2020
ISBN: 978-1-101-96660-0
Page Count: 464
Publisher: Ballantine
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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