A vivid re-creation of a Tudor tragedy.
A lusty teenager caught the roving eye of Henry VIII.
Continuing a fictional chronicle of the Six Tudor Queens, Weir brings thorough research and spirited storytelling to her portrayal of Katheryn Howard, Henry VIII’s fifth wife. Katheryn was 19 when her manipulative, ambitious uncle, the Duke of Norfolk, and her stepgrandmother, the Dowager Duchess of Norfolk, summoned her with a proposal: Henry VIII had tired of his German wife, Anne of Cleves, and, rumor had it, had not yet consummated their marriage. He sought an annulment; soon he would need a new wife. The Howards saw Katheryn, one of Anne’s many maids of honor, as a means to elevate their position and wealth as well as to bring a Catholic into the court. Of course, Katheryn had to be—or pretend to be—a virgin. “Chastity is to be prized,” Katheryn knew. “But what was wrong with taking your pleasure where you found it?” She easily and ardently fell in love: with her music teacher; with a distant cousin, a rakish courtier who “rode her like a stallion, gasping and moaning” and insisted they were married; and with the handsome Tom Culpeper, whom she had known as a child. Now a good-looking man “with a strong jaw and high cheekbones,” he was an esteemed member of the king’s Privy Chamber. Weir sees Katheryn as an impetuous, superficial young woman—far less sympathetic than Jane Seymour or Katherine of Aragon—dazzled by wealth and glamour. As maid of honor, she exulted, “she would live in palaces, have beautiful gowns, dance and make merry.” To her great delight, seducing Henry involved many luxurious new vestments and jewels. After their marriage, “dizzy with elation,” she exclaimed to herself, “She really was queen!” But not for long: Betrayals, plots, subterfuge, and her unbridled passion caused “the whole glittering edifice” of her life to implode.
A vivid re-creation of a Tudor tragedy.Pub Date: May 12, 2020
ISBN: 978-1-101-96660-0
Page Count: 464
Publisher: Ballantine
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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