by Allan Tidwell ‧ RELEASE DATE: Nov. 12, 2019
A wide-ranging yet monochrome collection of rhyming poems.
A debut volume of poetry celebrates life in America.
Many a poet has been inspired to write by the beauty of the American West. Tidwell stands proudly among them: “When you experience the grandeur of the Rockies / You will find a peace nothing else can achieve / The valleys and snowcapped peaks paint a picture / That will continually make your memories richer.” The first section of this collection features many praises of Western landscapes as well as selections like “The Lawman” and “The Sheriff” that effectively evoke the long tradition of cowboy poetry. But the author’s verse touches on many topics: Subsequent sections include poems on travel, friendship, loss, and the many emotions related to love. There is an entire section dedicated to Tidwell’s patriotic feelings, with poems about 9/11, military service, and the country’s growing partisan divide. He finds inspiration in quotidian tasks as well, as in this vivid, unexpectedly melancholic poem about doing laundry post-divorce: “Finding out she wasn’t happy meant ending this show / That’s how I ended up in the town of Durango / Doing laundry just once a week is now something, I hate / 10 sets of socks, shorts and t shirts is such an ugly state.” There is an antiquated quality to the work, both in terms of form and content. (The first poem, a romantic ode to the Native Americans of the West, is called “Red Brothers.”) The poems are almost all composed of quatrains featuring AABB end rhymes. But Tidwell is not a counter of syllables and his meter tends to be all over the place, as in “Cousin Peggy”: “The mother of four, business owner and much more / Teaching her kids to seek the truth and evil to abhor / A mom with little people she had to nurture and feed / And with Heavenly help she met all their daily needs.” The poems appear only on the odd-numbered pages of this nearly 240-page volume. The even-numbered pages are either blank or feature stock images related to the topics of the poems. This ambitious collection will likely be of interest to the author’s loved ones and friends. But the work is a bit too uneven to be of interest to a larger poetry audience.
A wide-ranging yet monochrome collection of rhyming poems.Pub Date: Nov. 12, 2019
ISBN: 978-1-72833-475-2
Page Count: 246
Publisher: AuthorHouse
Review Posted Online: March 19, 2020
Review Program: Kirkus Indie
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by Leigh Bardugo ‧ RELEASE DATE: Sept. 15, 2026
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
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A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
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by Jodi Picoult ‧ RELEASE DATE: Sept. 15, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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