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BRIGHT WINTER NIGHT

Destined to be a favorite bedtime read-aloud.

A disparate group of animals constructs a large sleigh so they can travel together to watch the northern lights.

“There’s magic in the winter air, / as all the creatures are aware. / A sway and creak as pines bow low, / and then begins the song of snow.” On this initial double-page spread and throughout, simple but eloquent rhymes are complemented by stylized, appealing animal characters that move within a soothing world of pinks, purples, and blues, dotted with flecks of snow and points of light. As the creatures gather, they sense they need to do something. The text describes the animals’ actions; readers will slowly be able to figure out what the creatures are making. Beginning with a falcon and ending with a mouse, a total of eight kinds of animals are introduced, each with their own contribution; the drollest one comes from Bear, whose body provides cushioning for other riders. Wolves pull the sleigh, and the text emphasizes that none of the animals are in danger (“no one hunter, no one prey”) during this expedition. Before the animals arrive to view the northern lights, there is a gently humorous mishap as the sleigh capsizes, and Stag and Beaver valiantly get it back on track. Text and art gracefully advance two themes—cooperation toward a goal and appreciation of nature’s magic—while also lulling restless readers toward naptime or bedtime. (This book was reviewed digitally.)

Destined to be a favorite bedtime read-aloud. (Picture book. 3-6)

Pub Date: Dec. 6, 2022

ISBN: 978-1-5420-2224-8

Page Count: 32

Publisher: Two Lions

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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