A fun, snappy read about the over-the-top world of private school admissions and the unbreakable bonds of family.
The director of admissions at a prestigious private school attempts to balance her job, her family, and her love life in Frank and Youmans’ debut.
Once upon a time, Josie Bordelon was walking the catwalk as a sought-after fashion model. Now that she’s almost 40, she’s the director of admissions at Fairchild Country Day School, an ultraprestigious private school in San Francisco. Josie’s used to being the only black woman in a largely white male–dominated field, and after all these years, she knows what to expect from her job—overscheduled children, pushy parents, and a boss who wants to undermine her. While she may be killing it at work, her personal life is another story. She hasn’t had a serious boyfriend in years, much to the chagrin of her Aunt Viv and her best friend, Lola. It’s too bad that the only man who’s caught Josie’s eye lately is a married and gay dad of a prospective student. And even though Josie just wants her daughter, Etta, to attend an Ivy League college and major in something practical, Etta insists she wants to follow her ballet dreams and study dance at Julliard. But it turns out that Etta’s career goals aren’t the only shock Josie’s about to face—her job, her romantic life, and her own Aunt Viv have plenty of surprises up their sleeves. While Josie’s budding relationship is certainly interesting, it takes a back seat to the rest of the plot, and it never quite gets the chance to blossom. The book shines, however, when it comes to the Bordelon women, especially Josie’s hardworking and hilariously meddling Aunt Viv, who clearly loves Josie and Etta more than anything. The family’s bond comes across vividly on the page, manifesting in sometimes-gentle and occasionally not-so-gentle banter among the three women. Frank and Youmans create strong voices even for the side characters, like Josie’s no-nonsense teacher BFF, her quick-witted assistant, her clueless boss, and Etta’s snooty ballet teacher.
A fun, snappy read about the over-the-top world of private school admissions and the unbreakable bonds of family.Pub Date: May 5, 2020
ISBN: 978-0-593-08502-8
Page Count: 336
Publisher: Putnam
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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