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TINY IMPERFECTIONS

A fun, snappy read about the over-the-top world of private school admissions and the unbreakable bonds of family.

The director of admissions at a prestigious private school attempts to balance her job, her family, and her love life in Frank and Youmans’ debut.

Once upon a time, Josie Bordelon was walking the catwalk as a sought-after fashion model. Now that she’s almost 40, she’s the director of admissions at Fairchild Country Day School, an ultraprestigious private school in San Francisco. Josie’s used to being the only black woman in a largely white male–dominated field, and after all these years, she knows what to expect from her job—overscheduled children, pushy parents, and a boss who wants to undermine her. While she may be killing it at work, her personal life is another story. She hasn’t had a serious boyfriend in years, much to the chagrin of her Aunt Viv and her best friend, Lola. It’s too bad that the only man who’s caught Josie’s eye lately is a married and gay dad of a prospective student. And even though Josie just wants her daughter, Etta, to attend an Ivy League college and major in something practical, Etta insists she wants to follow her ballet dreams and study dance at Julliard. But it turns out that Etta’s career goals aren’t the only shock Josie’s about to face—her job, her romantic life, and her own Aunt Viv have plenty of surprises up their sleeves. While Josie’s budding relationship is certainly interesting, it takes a back seat to the rest of the plot, and it never quite gets the chance to blossom. The book shines, however, when it comes to the Bordelon women, especially Josie’s hardworking and hilariously meddling Aunt Viv, who clearly loves Josie and Etta more than anything. The family’s bond comes across vividly on the page, manifesting in sometimes-gentle and occasionally not-so-gentle banter among the three women. Frank and Youmans create strong voices even for the side characters, like Josie’s no-nonsense teacher BFF, her quick-witted assistant, her clueless boss, and Etta’s snooty ballet teacher.

A fun, snappy read about the over-the-top world of private school admissions and the unbreakable bonds of family.

Pub Date: May 5, 2020

ISBN: 978-0-593-08502-8

Page Count: 336

Publisher: Putnam

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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