by Allie Rowbottom ‧ RELEASE DATE: July 24, 2018
A book brimming with intelligence and compassion.
Rowbottom chronicles her relationship to a legendary American food brand and the dark underside of its history.
Jell-O was the author’s “birthright.” Purchased by her mother’s great-great-great-uncle in 1899 for $450, the company was sold for $67 million two decades later. Jell-O gave the maternal side of Rowbottom's family unprecedented access to money, privilege, and power. At the same time, the wealth also seemed to bring family members “all manner of…misfortune,” including alcoholism, cancer, and suicide. Her mother, Mary, believed that her own problems and health crises had come about as a result of this family curse, so she “rarely ate the stuff.” The author begins the story with her grandmother Midge, who dreamed of becoming a journalist but instead found herself saddled with a traditional family life—which Jell-O celebrated in its many advertisements—that left her feeling unfulfilled. Growing up during the 1950s and ’60s, her daughter Mary longed for life as an artist. However, the pressures for her to conform to traditional female roles ate away at her resolve, pushed her into a series of unhealthy relationships, and destroyed her well-being. Determined to understand both the Jell-O curse and her mother’s emotionally fraught past, Rowbottom researched not only her family’s troubled history, but also the history of Jell-O itself. She looked at how ad campaigns throughout the 20th century used Jell-O to prop up ideals of womanhood that either enforced ideas about women as domestic caretakers or made them feel guilty about “careers outside the home.” The author also explores the medically inexplicable ailments that not only befell her mother, but also—as late as 2011— young girls living in LeRoy, New York, the birthplace of Jell-O. Rowbottom delivers a moving memoir of a daughter seeking to understand her mother, family, and the place of women in American society, and the narrative also serves as a thoughtful, up-close-and-personal feminist critique of a cultural icon.
A book brimming with intelligence and compassion.Pub Date: July 24, 2018
ISBN: 978-0-316-51061-5
Page Count: 288
Publisher: Little, Brown
Review Posted Online: April 10, 2018
Kirkus Reviews Issue: May 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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