by Allison Rushby ‧ RELEASE DATE: Dec. 1, 2004
Crisp writing makes the most of a slight (and rather dated) premise.
A first from Australian author Rushby.
Almost all men are bastards. And a lot of them are on the bastard list that Gemma and Sarah have been keeping since their art-school days. Back then, with five good-looking young women sharing a house, it seemed to be raining men, resulting in lots of yearning, bed-swapping, dumping, and weeping—that’s how the list got started. It boasted big bastards and small bastards, fat bastards and thin bastards, white and black and pink and purple bastards. The list is so old it’s yellowed and so long the fridge magnets won’t hold it up anymore. After an evening of steady drinking (the only other thing these one-dimensional characters do a lot of besides complain), Gem and Sarah decide it would be a hoot to start a new list just like it on a Web site (www.allmenarebastards.com, of course) and invite contributions from all comers. Not surprisingly, they get thousands of hits from all over the world and not a few indignant responses from the bastards themselves. Famous in her small way, Gemma appears on TV. The Web site traffic increases. Charge for space on it? Why not? Gemma can now hire something she’s always wanted: a Personal Assistant. A male Personal Assistant, thank you. Chris is capable, adorable, and on top of everything. How gratifying that she can take him to her ex’s wedding as a dream date. She’d hate to show up alone to smile bravely at the biggest bastard of all. What to wear? Oh, hell, a shroud would be perfect. But Chris comes to the rescue and even saves her hair with a few deft swipes of a brush and a couple of cans of hairspray. He confesses: three sisters meant he had to figure out a way to get into the bathroom, and hairdressing was it. Miracle of miracles, he’s not gay. Hmm. Things are looking up.
Crisp writing makes the most of a slight (and rather dated) premise.Pub Date: Dec. 1, 2004
ISBN: 0-7582-0825-1
Page Count: 352
Publisher: Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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