Young woman who survives a devastating plane crash with her body intact—and her memory wiped clean—struggles to piece together her complicated past.
Waking up in an Iowa hospital surrounded by beeping machines and people she does not know, Nell Slattery soon discovers she is a very lucky girl. She was found, along with hunky young actor Anderson Carroll, still strapped to her seat in a rural field where a passenger jet went down. She and Anderson were the only two to live. The daughter of the famous and reclusive painter Francis Slattery, Nell is told that she has a husband, Peter, and runs a Manhattan gallery with her pretty younger sister, Rory. She remembers nothing. It emerges that she and Peter were briefly separated after he had a one-nightstand with a co-worker, and she and Rory were not speaking before her fateful flight. Still, under the well-meaning ministrations of her new-agey mom, Nell returns to New York (and Peter) while ignoring the sinking feeling that she isn’t hearing the whole story. Back home she is dismayed to learn from various sources that she was previously a buttoned-up control freak with a wardrobe full of neutral colors. That is a far cry from the “fabulous” person she was hoping for. She was also a promising musician, who gave it all up after her father abandoned the family in her teens. Her father’s shadow looms large over Nell, and finding out more about him is part of the reason she allows a reality TV show to tell her story, against everyone’s better judgment. That makes sense, since it turns out that everyone in Nell’s inner circle has something to hide, and it is up to her to find the truth on her own. So she enlists Anderson, who has been self-medicating his post-crash PTSD with supermodels and booze, on a road trip to a small town that just might be the key to everything—if she can only remember where it is. Scotch (Time of My Life, 2009, etc.) crafts a plausible story, complete with a capable and prickly protagonist, that doesn't resort to any movie-of-the-week amnesia clichés. A dry-eyed modern take on healing and forgiveness.
Pub Date: April 12, 2012
ISBN: 978-0-399-15758-5
Page Count: 320
Publisher: Putnam
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: March 15, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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