Young woman who survives a devastating plane crash with her body intact—and her memory wiped clean—struggles to piece together her complicated past.
Waking up in an Iowa hospital surrounded by beeping machines and people she does not know, Nell Slattery soon discovers she is a very lucky girl. She was found, along with hunky young actor Anderson Carroll, still strapped to her seat in a rural field where a passenger jet went down. She and Anderson were the only two to live. The daughter of the famous and reclusive painter Francis Slattery, Nell is told that she has a husband, Peter, and runs a Manhattan gallery with her pretty younger sister, Rory. She remembers nothing. It emerges that she and Peter were briefly separated after he had a one-nightstand with a co-worker, and she and Rory were not speaking before her fateful flight. Still, under the well-meaning ministrations of her new-agey mom, Nell returns to New York (and Peter) while ignoring the sinking feeling that she isn’t hearing the whole story. Back home she is dismayed to learn from various sources that she was previously a buttoned-up control freak with a wardrobe full of neutral colors. That is a far cry from the “fabulous” person she was hoping for. She was also a promising musician, who gave it all up after her father abandoned the family in her teens. Her father’s shadow looms large over Nell, and finding out more about him is part of the reason she allows a reality TV show to tell her story, against everyone’s better judgment. That makes sense, since it turns out that everyone in Nell’s inner circle has something to hide, and it is up to her to find the truth on her own. So she enlists Anderson, who has been self-medicating his post-crash PTSD with supermodels and booze, on a road trip to a small town that just might be the key to everything—if she can only remember where it is. Scotch (Time of My Life, 2009, etc.) crafts a plausible story, complete with a capable and prickly protagonist, that doesn't resort to any movie-of-the-week amnesia clichés. A dry-eyed modern take on healing and forgiveness.
Pub Date: April 12, 2012
ISBN: 978-0-399-15758-5
Page Count: 320
Publisher: Putnam
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: March 15, 2012
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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