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WILLIE WINS

A tender but vital tribute to a father's love and a son's faith, as well as a gratifying sleeve across a bully's windpipe, from a talented newcomer. Willie, a young Filipino boy, must bring a bank to class for saving the play money his teacher will be handing out for extra work. His father gives him an alkansiya—a coconut-shell bank from the Philippines—but Willie worries that Stan, the class bad boy, will give him grief about it, just as he has been teasing him for striking out at baseball. "Plus, there's something special inside," his father says. So Willie puts up with Stan's jeers ("That's a loser's bank. It's ugly, and I'll bet it's empty, too") while nonetheless he harbors a trace of fear that his father's surprise will be something silly or that "only Dad thought was special, like the wooden water buffalo he kept on his desk." Willie works likes the dickens over the month and when it comes time to crack open the bank, not only has he earned the most money, but the special treasure inside the bank turns out to be very special indeed. An understated pearl of a story, humbly and somewhat awkwardly illustrated in deep-colored acrylics, with two affecting characterizations and an exemplary bond of love. (Picture book. 4-7)

Pub Date: April 15, 2001

ISBN: 1-58430-023-X

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2001

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE QUACKEN

Pitch-perfect tension and delightful silliness.

The legend of a giant, dangerous duck at Cucumonga Campground looms large.

Young Hector and his family are on vacation. Everything seems pleasant except for the many objects that have gone missing and the warnings Hector keeps receiving. Everyone tells him not to interact with the ducks. Don’t go near them, don’t look at them, and absolutely, positively, do not feed them. To further emphasize the point, “DO NOT FEED THE DUCKS” signs pop up every few feet at the campground. So what does Hector do? He feeds the ducks. They just look so cute and hungry. Amid the many feathers flapping, a large, foreboding shadow suddenly crosses the lake. Colón builds suspense through short, clipped narration. The weather turns ominous, and people flee in terror—it’s…THE QUACKEN! The fearsome, colossal wildfowl has appeared! It’s always one step ahead of Hector until there is no escape. Hector is popped into the duck’s bill like a delicious morsel. But, luckily for Hector, “children taste terrible.” Reminiscent of old, cheesy horror films, this tale will make a hilariously over-the-top read-aloud. Pino ramps up the drama in his illustrations, alternating full-page spreads with graphic novel–like panels and vignettes. Hector and his family are brown-skinned, while other campers are racially diverse.

Pitch-perfect tension and delightful silliness. (Picture book. 4-7)

Pub Date: July 16, 2024

ISBN: 9781665922487

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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