A clichéd, overstuffed mystery that doesn’t use its protagonist to good advantage.
In Wander’s (Deadly Ambitions, 2013, etc.) series entry, retired Israeli spy David Korman looks into seemingly unrelated and increasingly dangerous criminal cases.
“Answer me this, Dopey, why do I put up with you?” asks Dianne, the long-suffering wife of the philandering Korman. “Because I always come home with a good story,” he replies. “This one is probably the best in a long time.” It’s certainly the busiest. It begins with a frantic call from Cindy, Korman’s former lover, who’s concerned that her estranged brother, a financial advisor who has scammed the wrong people, has gone missing. Next, Korman’s friend Bruno Jayson is working a multibillion-dollar deal involving a game-changing pharmaceutical. However, Korman wonders if this deal is on the level. Meanwhile, Carter Briggs, a “cracker-jack financial deal maker” and another of Bruno’s former acquaintances, reappears after more than a 10-year absence—just after six random women have been found strangled; all but one had a red ribbon meticulously tied around her neck, earning the perpetrator an obvious nickname: “the red-ribbon serial killer.” Readers may immediately suspect Carter of the crime, particularly as Wander does little to discourage this (“Carter felt his stomach tighten as he watched a news team at the murder scene putting together the story”). Although this book takes place in the present, the dialogue wouldn’t pass muster in a 1940s B-movie (“What’s with you, doll”). Still, occasional lines achieve an appealing, hard-boiled style: “If I were him, I would not buy any long-playing records.” On the other hand, “Put me to bed” isn’t something that most people say in the heat of passion. Korman is said to possess “a great mind” and the ability to recognize “things that even the authorities miss,” but readers won’t find him to be very impressive here; for instance, he resolves Cindy’s case by simply telling her to pay off her brother’s victims. The resolution of the red-ribbon serial-killer investigation is particularly anticlimactic.
A clichéd, overstuffed mystery that doesn’t use its protagonist to good advantage.Pub Date: May 15, 2019
ISBN: 978-1-64438-728-3
Page Count: 248
Publisher: Booklocker.com
Review Posted Online: Sept. 20, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
