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MAGIC IN THE WEAVE

A complex, exciting mystery whose rich historical background is disturbed by some truly chilling events.

A physician struggles to make sense of several brutal murders in Stuart England.

When a theater group arrives in the nearby city of Plymouth in October 1604, country doctor Gabriel Taverner welcomes the chance to see a play with his clever and independent sister, Celia; his best friend, Vicar Jonathan Carew; and midwife Judyth Penwarden. The play is Othello, presented in an unusual and unsettling manner. To Gabriel’s discomfort, Celia seems to be enamored of player Fallon Adderbury, and after the performance, she offers her skills as a seamstress to make a silk handkerchief to replace the rather dingy one used as a prop. Taking offense at Gabriel’s warnings once they get back home, Celia returns to Plymouth, where she can stay with a friend and see all the plays and become acquainted with the players, one of whom is soon to die. The coroner has overheard a strange conversation, most likely between Francis Heron, a bit player whose money gave him entree, and Daniel, a baggage handler, that gives him reason for concern. He fears that Heron has the plague, but Gabriel is convinced he’s been poisoned. A book written in code found among Heron’s belongings provides the promise of further clues. After suffering through a weirdly paranormal experience while tending Heron, Gabriel calls on Jonathan for help in facing demons. The mystery enlarges to include professional assassins and a group of famous learned men they have targeted.

A complex, exciting mystery whose rich historical background is disturbed by some truly chilling events.

Pub Date: Feb. 1, 2022

ISBN: 978-0-7278-9010-8

Page Count: 256

Publisher: Severn House

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE HONJIN MURDERS

The delightful debut of a classic, prolific detective.

It takes a quirky sleuth to solve a baffling closed-door murder.

The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.

The delightful debut of a classic, prolific detective.

Pub Date: Sept. 15, 2026

ISBN: 9781805336549

Page Count: 192

Publisher: Pushkin Vertigo

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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