Of all Clare’s charmingly mystical looks at life and death in 13th-century England, this one-sitting read is by far the...
A visit to a treasured childhood home involves Sir Josse d’Acquin and his wife, Helewise, in yet another murder.
In February 1212, Josse and Helewise (The Winter King, 2014, etc.) have undertaken a frigid journey to visit his elderly Uncle Hugh, his mother’s brother. Josse spent many happy periods at Southfire Hall as a youth enjoying the company of his cousins, especially the daring Aeleis. Although they are warmly welcomed, the pair soon notice that the family is very tense indeed. The trouble seems to be caused by Cyrille de Picus, the wife of Herbert, Josse’s oldest cousin Isabelle’s son. Cyrille is cold, bossy, and cruel to Olivar, her son from a former marriage, whom Herbert, lacking any male offspring, means to adopt as his heir. The arrival of a young man injured nearby in a riding accident creates a mystery when Josse discovers that the man, who calls himself Peter Southey, has in his possession a carved chess figure that Josse is certain belongs to Aeleis, who ran off after refusing to marry an older man Hugh had chosen for her. He remembers well that Aeleis found the figure while she and Josse were investigating the undercroft of Southfire Hall, parts of which date back to Roman times. Peter seems to be improving, so when he suddenly dies, Josse and Helewise grow suspicious. The atmosphere in the house is increasingly uncomfortable. Olivar continues to have terrifying nightmares; Cyrille becomes even more unpleasant. Uncle Hugh may hold the answer to some of Josse’s questions, but his drifting in and out of lucidity leaves Josse and Helewise to solve the riddle on their own.
Of all Clare’s charmingly mystical looks at life and death in 13th-century England, this one-sitting read is by far the purest mystery.Pub Date: Oct. 1, 2015
ISBN: 978-0-7278-8520-3
Page Count: 240
Publisher: Severn House
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.Pub Date: Nov. 5, 2003
ISBN: 0-316-60290-6
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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