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SEASONS OF GLASS AND IRON

A collection that defies categorization, but is alive on every page.

El-Mohtar is in a category of her own with a compilation of work spanning nearly two decades and including several award-winning pieces.

While the pieces here may not adhere to a central style, genre, or theme, El-Mohtar earmarks the connective tissue—women engaging with each other—in a self-aware author’s note. This collection brings together more than a dozen stories and poems that showcase her fluency in the preternatural, mythological, and immense possibilities of women talking. The title story, “Seasons of Glass and Iron”—which won Nebula, Hugo, and Locus awards for best short story—is about two women trapped in their own harsh fairy tales and their shared pursuit of freedom. “Madeleine” explores memories: their origins, their realities, and their futures. “The Lonely Sea in the Sky” turns our own culture’s obsession with diamonds into a journal chronicling a 56-year-old woman’s descent into a diseased fixation on extraterrestrial diamonds. “And Their Lips Rang With the Sun” plays with a folktale about the sun, telling the story of the women who call and dance for “her” to rise every day. “Qahr” will remind readers how language can fall short in its efforts to represent the immensity of human emotions. “To Follow the Waves,” set in a medieval SF world, tells the story of a dream crafter with a creative block who becomes obsessed with her muse. El-Mohtar writes beautifully of ancestry, culture, and the natural world—particularly birds and gemstones—and wades thoughtfully through the depths of sorrow, isolation, and otherness. She is a tender wordsmith, able to play with the form of folktales and letters, reference materials and lyrical prose. In a few cases, it would be useful to have an understanding of her literary and mythological references to appreciate some of the nuances, though it’s certainly not a requirement to find meaning in her stories.

A collection that defies categorization, but is alive on every page.

Pub Date: March 24, 2026

ISBN: 9781250341006

Page Count: 208

Publisher: Tordotcom

Review Posted Online: May 4, 2026

Kirkus Reviews Issue: June 1, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WE BURNED SO BRIGHT

An existential crisis that steps on its own final moments.

With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.

After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.

An existential crisis that steps on its own final moments.

Pub Date: April 28, 2026

ISBN: 9781250881236

Page Count: 176

Publisher: Tor

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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