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FORGIVE ME

An acute, sharp-angled love story with a rare sense of history.

Always-on-the-run journalist thrill-seeker is finally forced to deal with the consequences of the horrors she loves to report.

The heroine of Ward's powerful and fast-paced novel (How to Be Lost, 2004, etc.) isn't anybody's idea of a nice girl. Edging into her mid-30s, Nadine is a hotshot newspaper stringer who's always been better at escaping than living, dashing off to whatever foreign land is hosting the most saleable atrocities while ignoring family and friends. As the story begins, Nadine has just barely escaped being killed by drug traffickers in Mexico and is recuperating in her father’s bed-and-breakfast in the “small and strange” Cape Cod fishing village of her childhood, “now populated by drunks and scientists.” Another big story is brewing, and barely functioning Nadine is hungry to get away, this time back to South Africa, where the Truth and Reconciliation Commission is taking testimony from victims of Apartheid violence. There is a local connection—a white boy from Nadine's town who moved to one of the townships to teach was killed by a mob of blacks chanting “one settler, one bullet”—and a personal one: Nadine once lived there, and when she left, to pursue yet another story, she left behind the love of her life. Nadine's bratty and selfish behavior is on full display (in fits of adolescent pique, she tries to impress her sad and widowed father and spurned once-best friend with her worldliness) and there are flashbacks to her earlier South African sojourn, as well as episodes from the journal of the murdered boy. The flashbacks encompass an impressive amount of the country's history and cataclysmic violence; the journal episodes, meanwhile, are a distraction, the rare wrong note in a tightly constructed and oddly romantic novel.

An acute, sharp-angled love story with a rare sense of history.

Pub Date: June 26, 2007

ISBN: 978-0-345-49446-7

Page Count: 256

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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