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NOT THEY WHO SOAR

The World’s Fair emerges as the central figure, complemented by a profusion of characters, many drawn from real life.

The youngest member of the Wright family—sister of Wilbur and Orville—solves her second murder case.

Whether despite or because of the challenges posed by the death of her mother, Katharine Wright is a strong and independent woman. A graduate of Oberlin College, she holds a teaching position and actively supports her renowned brothers’ work. Upon arriving in St. Louis in 1904 as a guest of her college friend Margaret Goodwin Meacham, whose husband is at the World’s Fair to promote his bank, Katharine experiences a brief but harrowing encounter with a distraught woman at a railroad station. Fortunately, she’s saved from a nasty fall by another Oberlin classmate, reporter Harry Haskell. The fair’s overwhelming abundance of attractions renders Katharine’s two-week stay insufficient to explore all its offerings. Although a pending patent has kept her brothers from competing for the fair’s prestigious aeronautical prize, Katharine is intrigued by the candidates’ endeavors. On her first evening at the fairgrounds, she encounters Alberto Santos-Dumont, an arrogant Brazilian balloonist favored to win the prize. Upon arriving at Santos-Dumont’s hangar, she and Margaret discover that his balloon has been vandalized, and they spot the woman from the railroad station nearby. Running in pursuit of her, Katharine rounds a corner to find the woman stabbed and uttering the words “aeronautic competition” before succumbing to her injuries. The investigation reveals a multitude of potential suspects, including a twin sister, a menacing carny, and several other competitors for that prize.

The World’s Fair emerges as the central figure, complemented by a profusion of characters, many drawn from real life.

Pub Date: May 27, 2025

ISBN: 9781496747686

Page Count: 304

Publisher: Kensington

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE HONJIN MURDERS

The delightful debut of a classic, prolific detective.

It takes a quirky sleuth to solve a baffling closed-door murder.

The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.

The delightful debut of a classic, prolific detective.

Pub Date: Sept. 15, 2026

ISBN: 9781805336549

Page Count: 192

Publisher: Pushkin Vertigo

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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