A book that aims high but attempts to cover too much territory.

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DAUGHTER OF THE BURNING CITY

Magic, murder, and mayhem abound in Foody’s debut.

Ever since her father rescued her from enslavement and adopted her when she was 3, 16-year-old Sorina has lived in Gomorrah, a huge, traveling circus-festival. Born without eyes yet magically able to see, Sorina is in charge of the Gomorrah Festival Freak Show. The attraction is full of Sorina’s illusions, semi-independent creations who have become like family: a scaled grandfather, a boneless acrobatic sister, a flaming baby, and more. But when someone begins to systematically murder her illusions, she begins to question the ways her magic can work. Fiercely loyal and protective, she’ll do whatever it takes to safeguard her family—even if it means working with extremely irritating-but-cute Luca, another Gomorrah jynx-worker. As the duo teams up to solve the murders and prevent more, their connection grows from irritation to friendship to attraction. Luca appears to be demisexual, disinclined to build sexual or romantic relationships without an emotional bond, and the couple has welcome conversations about the speed of their relationship and consent. While many characters are coded as white, it is implied that many of Gomorrah’s residents (including Sorina) are racially diverse. The novel clearly attempts to champion the outsider (and arguably does so successfully with demisexuality), but its disruption of our world’s stigmatization of disability is incomplete—both in its inconsistent questioning of “freak” (though Sorina’s arc is one of empowerment) and in Sorina’s disability-erasing magical sight.

A book that aims high but attempts to cover too much territory. (Fantasy. 14-17)

Pub Date: July 25, 2017

ISBN: 978-0-373-21243-9

Page Count: 384

Publisher: Harlequin Teen

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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“Cinderella” but with genocide and rebel plots.

ASH PRINCESS

From the Ash Princess series , Vol. 1

The daughter of a murdered queen plots to take back what is hers.

With her country seized and her mother, the Fire Queen of Astrea, murdered by invaders when she was only 6 years old, Theodosia has been a prisoner for 10 years, stripped of her crown, her people enslaved. Theo (renamed Thora by her captors) is at the mercy of the Kaiser—the fearsome ruler of the Kalovaxians—enduring his malicious whims in order to survive. But when the Kaiser forces Theo to execute her own father, survival is no longer good enough, and she finally takes up the mantle of queen to lead her people’s rise to resistance in a land saturated in elemental magic. Debut author Sebastian has invigorated some well-worn fantasy tropes (a displaced heir, an underground rebellion, and a love triangle that muddies the distinctions between enemies and allies), delivering a narrative that crackles with political intrigue, powerful and debilitating magic, and the violent mechanisms of colonization even as it leaves sequel-primed gaps. Some details—like Theo’s crisis of identity and Hamletian indecision—work well to submerge readers in a turbulent and enthralling plot; others, like racialized descriptions that fall short of actual representation (Atreans are dark-haired and olive-skinned, Kalovaxians are blond and pale-skinned) and the use of magic-induced madness for narrative shock and awe feel lazy and distracting among more nuanced elements.

“Cinderella” but with genocide and rebel plots. (Fantasy. 14-17)

Pub Date: April 24, 2018

ISBN: 978-1-5247-6706-8

Page Count: 432

Publisher: Delacorte

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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Packed to the brim with intrigue and the promise of a third installment.

LADY SMOKE

From the Ash Princess series , Vol. 2

A rebel queen fans the sparks of revolution.

Picking up immediately after the events of Ash Princess (2018), Sebastian’s expansive sequel finds young Queen Theodosia—her title newly reclaimed—fleeing her country and throne. With her people still enslaved, Theo will need allies and an army to free them, and her aunt, the fierce and manipulative pirate Dragonsbane, insists that the only way to acquire either is if Theo marries—something no queen has ever done in Astrea’s history. Wracked by nightmares, guilt, and fear that she is losing herself (and more), Theo balks but, with few options open to her, grudgingly agrees to meet with suitors at a grand invitational hosted by the king of the opulent Sta’Crivero. Readers looking for further immersion and expansion of Theo’s world will not be disappointed here. The narrative suffers marginally from lengthy details picked up and soon put back down with no real service to plot or character development, but Theo’s first-person narration remains enthralling with emotional immediacy as she learns more and more about her world and the people (and cruelty) within it. Vengeance, political corruption, and mystery are the main drivers, and questions of trauma, empathy, and sacrifice hold the reigns as Theo grapples with emergent magic, inconvenient romances, and the crushing weight of her choices as a leader.

Packed to the brim with intrigue and the promise of a third installment. (maps) (Fantasy. 14-17)

Pub Date: Feb. 5, 2019

ISBN: 978-1-5247-6710-5

Page Count: 512

Publisher: Delacorte

Review Posted Online: Dec. 19, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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