A tale that offers mesmerizing worldbuilding and complex explorations of gender relations in a frightening dystopia.
In the near future, a teenager tries to navigate growing up in a world where women are treated as property in this debut YA novel.
For the past three years, 16-year-old Valley Bickerstaff has raised bees under the guidance of her beloved grandmother. Living in a river bottom, one of the few places that the insects can still flourish, Valley faces a world in which most of the planet’s bees were killed by pesticides years earlier, leading to environmental devastation in the form of famines and plague. Countries seem to have broken down into simple townships, each run by its own local leaders, and society has sadly regressed when it comes to women, who are once again considered chattel to be sold for land and money. The tale truly kicks off when Valley’s cruel Uncle Jacob promises her hand in marriage to the son of a nearby official, Mayor Tellar, who arranges a hasty wedding. “Now, I know how you young ladies like to plan these things yourself,” the mayor tells Valley. “But, your uncle wanted our agreement consummated as soon as possible. I assume you understand how important this marriage is to your family.” This leads her to immediately plan an escape. Webster has written a richly detailed work whose world feels legitimate and lived-in, letting readers gradually, seamlessly experience it rather than overwhelming them with exposition. Meanwhile, Valley is an empathetic, compassionate protagonist who feels three-dimensional from start to finish. Her caring for the bees establishes an instant connection with the reader. The complications of her friendship with another teenager, Reyna, who has fallen in love with her, as well as the intricate bonds that tie her to her family make for an engrossing drama. Furthermore, her relationship with her grandmother, as well as the unfolding of a number of buried family secrets that cause her to question a great deal of what she thought she knew, provides a brilliant throughline. The love triangle involving two young men vying for her affections is less intriguing, and at times the book’s slow pacing can lead to lulls. But if one surrenders to its gentler rhythms, the story delivers a captivating and thought-provoking read.
A tale that offers mesmerizing worldbuilding and complex explorations of gender relations in a frightening dystopia.Pub Date: March 1, 2017
ISBN: 978-1-5407-5778-4
Page Count: 398
Publisher: CreateSpace
Review Posted Online: April 12, 2017
Kirkus Reviews Issue: June 1, 2017
Review Program: Kirkus Indie
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because...
Brutal and relentless debut fiction takes anarcho-S&M chic to a whole new level—in a creepy, dystopic, confrontational novel that's also cynically smart and sharply written.
Palahniuk's insomniac narrator, a drone who works as a product recall coordinator, spends his free time crashing support groups for the dying. But his after-hours life changes for the weirder when he hooks up with Tyler Durden, a waiter and projectionist with plans to screw up the world—he's a "guerilla terrorist of the service industry." "Project Mayhem" seems taken from a page in The Anarchist Cookbook and starts small: Durden splices subliminal scenes of porno into family films and he spits into customers' soup. Things take off, though, when he begins the fight club—a gruesome late-night sport in which men beat each other up as partial initiation into Durden's bigger scheme: a supersecret strike group to carry out his wilder ideas. Durden finances his scheme with a soap-making business that secretly steals its main ingredient—the fat sucked from liposuction. Durden's cultlike groups spread like wildfire, his followers recognizable by their open wounds and scars. Seeking oblivion and self-destruction, the leader preaches anarchist fundamentalism: "Losing all hope was freedom," and "Everything is falling apart"—all of which is just his desperate attempt to get God's attention. As the narrator begins to reject Durden's revolution, he starts to realize that the legendary lunatic is just himself, or the part of himself that takes over when he falls asleep. Though he lands in heaven, which closely resembles a psycho ward, the narrator/Durden lives on in his flourishing clubs.
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because it's so compelling.Pub Date: Aug. 1, 1996
ISBN: 0-393-03976-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
BOOK TO SCREEN
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