by Amanda Mackenzie Stuart ‧ RELEASE DATE: Jan. 4, 2006
Capable rendition of an elaborate family drama.
British author Stuart debuts with a saga of transatlantic maneuvers worthy of Henry James or Edith Wharton.
Alva Smith bolstered the flagging fortunes of her Southern, formerly slave-owning family in 1875 by marrying William K. Vanderbilt, son of the fabulously wealthy but not socially acceptable Commodore. The Vanderbilts had made progress in getting into Mrs. Astor’s good graces when William’s philandering prompted a scandalous divorce in 1895. There was no way daughter Consuelo could be allowed to enjoy true love with a respectable New Englander; Alva steered her into the arms of the Duke of Marlborough. A contemporary newspaper reported that the Vanderbilts paid $10,000,000 in order to join their family to the Marlborough line, and the duke certainly needed the cash: The same paper reported that he earned the 1895 equivalent of $40,000, but his palace at Blenheim cost $370,000 to maintain. Consuelo was none too pleased with the arrangement, in which she had no say; small wonder that she kept her groom waiting at the altar while she wept in the arms of her father, who had no choice but to persuade her to get it over with. Consuelo did, and Alva was soon reaping the benefits due the mother of the Duchess of Marlborough. Good thing, for she needed points to reenter society after her divorce. Declaring that she would never again be financially dependent on a man (save for alimony, of course), Alva later became a strong advocate of women’s rights—some said in penance for what she had done to Consuelo, separated from the duke in 1906 but not divorced until 1921, when she quickly remarried and found happiness among the nobility of France.
Capable rendition of an elaborate family drama.Pub Date: Jan. 4, 2006
ISBN: 0-06-621418-1
Page Count: 592
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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