``In romance the success of an individual author is not based on how well she writes by conventional standards, but on how compelling she can create her fantasy and on how readers...can step into it with her.'' Thus Amanda Quick, as Jayne Ann Krentz, in her introduction to Dangerous Men and Adventurous Women (1992—not reviewed), an anthology concerning the romantic novel. Here, in the best-selling paperback novelist's debut in hardcover, Quick has provided an inviting little world of warmth, adventure, mystery, bouncy sex, and a (never oppressive) Regency setting. Olympia Wingfield, alone and vaguely raising three lively young nephews, is glad to hire on as tutor one Jared Ryder—who's not about to reveal that he's a viscount. Jared impresses the intellectual ``spinster'' of 25: ``From his long wind-whipped black hair and velvet eyepatch to the dagger he wore...he was an awe- inspiring sight.'' Jared's real mission is to purchase a secret diary purported to point to a West Indian treasure—a diary that the studious Olympia is deciphering, unaware of its import—but, meanwhile, as part of the household, he disciplines the soon-to-be- devoted boys (and their dogs); runs villains to ground; carries on his own shipping business on the sly; and soon, of course, becomes smitten with Olympia. Amid subplots that flutter around and about like Olympia's chemisette, there's also jolly sex—during which both partners have a wonderful time. A featherlight, warmhearted fantasy with lots besides bedroom frolics going on, and it's all in a modern idiom (only one ``mayhap''). Fans will welcome this perfect little popover of a romance into hardcover circulation. (First Printing of 60,000)
Pub Date: June 15, 1993
ISBN: 0-553-09509-9
Page Count: 352
Publisher: Bantam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 1993
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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