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INITIATED

MEMOIR OF A WITCH

Thoughtful, engaging, and fresh: a welcome addition to the annals of women’s spirituality.

A professional witch recounts the trials she endured in finding her vocation.

That a contemporary witch would quote Starhawk quoting Doreen Valiente in an epigram will come as little surprise to students of the history of women’s spirituality. The former is an ecofeminist who has played a vital role in reimagining goddess worship for the modern age. The latter was instrumental in shaping Wicca, a mid-20th-century reiteration of English witchcraft. That this quotation is followed by a line from Hélène Cixous’ “The Laugh of the Medusa” is a bit more surprising. Taken together, these epigrams offer an illuminating introduction to Yates Garcia and her work. A seventh-generation Californian, the author has made a name—and a remunerative career—for herself as the “Oracle of California.” She co-hosts a podcast called Strange Magic, she has more than 27,000 followers on Instagram, and, in 2017, she talked with Tucker Carlson about her magical efforts to bind Donald Trump from doing harm. It would be wrong, though, to dismiss Yates Garcia as a dilettante cashing in on the current interest in witches. Her mother is a practicing witch and raised the author within her own tradition, a mix of Unitarian Universalist feminist theology, neopaganism, and political activism. While Yates Garcia’s account of her own magical coming-of-age includes mystical experiences and glimpses of rituals she has crafted, it is also a forceful critique of capitalism and patriarchal culture. Her philosophy of witchcraft emphasizes collective action and social justice. But this is not a manifesto. It’s a tale of adventure, a heroine’s journey to find her own power. Along the way, she chronicles her encounters with fairies, monsters of various kinds, and at least one demon lover. Even though “the forces of patriarchal authority have destroyed our stones, our caves, our temples, our cathedrals…the Goddess is being reborn.”

Thoughtful, engaging, and fresh: a welcome addition to the annals of women’s spirituality.

Pub Date: Oct. 22, 2019

ISBN: 978-1-5387-6305-6

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Aug. 6, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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