Heartfelt advice for cancer patients, though the embrace of out-of-the-box healing methods may have a limited appeal.

A cancer survivor offers an alternative approach to overcoming disease.

When Meer (The Story of the Strange Sandwich, 2012, etc.) was diagnosed with cancer (what type is never specified), she was already struggling with personal and professional problems. A serious illness was the last thing she needed, but after the initial shock, she decided that healing would begin in her mind. “I am going to believe I am well. And if I believe I am well, I will be well,” she recalls telling her doctor. This unconventional outlook informs her approach to treatment and the advice she offers to readers on their own journeys to wellness. Meer begins by advocating that people slow down and consider their options, suggesting meditation and diet changes as first steps before more invasive treatments. “Give up sugar. It is EVIL” is typical of her emphatic recommendations, which are largely based on her personal experience. Some of the advice seems fairly sound, like bouncing on a trampoline to promote lymphatic drainage. Other tips may raise eyebrows, at least for those who usually put their faith in allopathic medicine. Cleanses, a strict plant-focused diet, and a cocktail of supplements (which she confesses to spending $1,500 per month on during her illness) all have the potential to help “cure” cancer, according to the author. Though Meer did receive chemotherapy, she stopped before completing treatment and is frank about her negative experiences with Western medicine. There’s also practical information on coping with finances while sick, the best beauty products for cancer patients, and thoughts on dating after a diagnosis. The guide’s tone is friendly and often funny, and fellow cancer patients should appreciate Meer’s tell-it-like-it-is attitude and her counsel to advocate for themselves and choose treatments that work for them. But more information on how to integrate alternative and traditional medicine would have been helpful for those who wish to combine both approaches. And some readers will likely disagree with Meer’s “look on the bright side” attitude. Though she admits some may find the idea “disgustingly Pollyanna,” her belief is that “major illnesses…show up to heal your life.”

Heartfelt advice for cancer patients, though the embrace of out-of-the-box healing methods may have a limited appeal.

Pub Date: Jan. 5, 2016

ISBN: 978-0-9985821-9-1

Page Count: 160

Publisher: CreateSpace

Review Posted Online: March 24, 2017



This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996




An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955