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THE BEST AMERICAN MAGAZINE WRITING 2011

More reliably solid, educational reading material awarded by the American Society of Magazine Editors.

Covering a variety of topics and interests, reporting merit was just one of the subjects judged for literary noteworthiness. Michael Hastings skewered hardheaded four-star Army general Stanley McChrystal with such eagle-eyed scrutiny in “The Runaway General” (Rolling Stone) that it actually prompted the official’s resignation. In another standout, “Covert Operations” (New Yorker), Jane Mayer offers scathing analysis of Charles and David Koch, a duo of wealthy, manipulative libertarians powering what Mayer describes as an unscrupulous political machine. The profile pieces offer lighter fare. Top honors goes to New York Times reporter Mark Liebovich’s profile of Mike Allen, one of America’s most influentially well-connected (and sleep-deprived) political news reporters. Jonathan Van Meter respectfully nods to his longtime comedienne comrade in “Joan Rivers Always Knew She Was Funny” (New York), as does Jonah Weiner in “Kanye West Has a Goblet” (Slate), a slickly written perusal of the grandiose rapper. There’s witty dispatches in Paige Williams’ Bikram yoga class discussion “My Bra’s Too Tight and It’s Never Too Late” (O, The Oprah Magazine) and an outstanding three-part piece from distinguished British author Christopher Hitchens on his battle with esophageal cancer in “Topic of Cancer and Unanswerable Prayers and Miss Manners and the Big C” (Vanity Fair). Elsewhere, Joel Brouwer’s thoughtful verse “Lines from the Reports of the Investigative Committees” (Poetry) succinctly illustrates the enormity of the BP oil spill in the same way Barbara Kingsolver’s eloquent short essay “Water Is Life” (National Geographic) beautifully underscores the vital benefits of Earth’s most precious natural resource. From serious to sublime, there’s a bounty of periodical perfection here.      

 

Pub Date: Dec. 6, 2011

ISBN: 978-0-231-15940-1

Page Count: 520

Publisher: Columbia Univ.

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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