An innovative but uneven spiritual tale.
In this debut novel, an emperor establishes a clandestine order to protect and disseminate spiritual secrets that predate the birth of Jesus.
Aram is a nomadic trader traveling through ancient Syria. Isha, his caravan’s leader, encourages him to seek out the spiritual counsel of Murduk, a “silent observer of the universe,” who paradoxically turns out to be uncommonly garrulous and eager to impart his wisdom. Murduk shares with Aram a combination of cosmological and moral teachings, the former vaguely reminiscent of Christian eschatology. Apparently, the “ancient engineers of our species” have left instructions for their return, “when time and space interact in such a way as to open the stargate again.” In addition, there will a decisive battle between the forces of good and evil, which will “drive the planet into an obscure tunnel of death and devastation.” Aram is shown how to interpret the signs—the novel is filled with diagrams that illustrate the messages—and is given an amulet that contains a hexagram within a circle apparently encrypted with spiritual knowledge. The bulk of this tale is devoted to the aftermath of Aram’s spiritual enlightenment—he becomes a great prophet, and his legacy is continued by powerful men like Roman Emperor Traianus. Emperor Constantine eventually founds the Constantine Order devoted to the perpetuation of Aram’s work, and its illustrious membership includes Attila the Hun and Leonardo da Vinci. Consta makes this order the prime mover of world history—the Crusades, the Egyptian pyramids, and King Solomon’s Temple can all be linked to the group.
The tantalizingly inventive aspect of the author’s tale is the possibility of an “inner core” of “prophetic symbols received by the prophet Aram” thousands of years before the births of Jesus and Allah. But the ambitious expanse of history covered here has a price—Consta doesn’t create authentic characters. This isn’t really a novel in the usual sense of the term but an intricate history—it reads much more like an attempt to compose scripture than a literary production. This gives the entire work a ponderous feel, and the prose only reinforces that effect. The author’s writing is often densely packed and bewilderingly vague. The passages meant to elucidate the nature of the prophetic teachings are the most turgid: “Supreme Master, created from the same blood of Aram and the eternal perseverance and persistence of the crossed axis of the celestial globe and the sacred, unified will and wisdom of God, which humbly point us to the sacred points of the lights designated from our creators, ascend to the top of this temple and point us with the sacred sword to the right Blazing Star.” While Consta’s work is reminiscent of Dan Brown’s The Da Vinci Code, it fails to fully develop the intriguing novelistic elements of the story.
An innovative but uneven spiritual tale.Pub Date: Dec. 9, 2019
ISBN: 978-1-08-656829-5
Page Count: 275
Publisher: Self
Review Posted Online: Jan. 4, 2021
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
Like the house at its center, a book that is multitudinous and magical.
The story of a house, the humans who inhabit it, the ghosts who haunt it, and the New England forest encompassing them all.
In the opening chapter of the fourth novel by Mason—a Pulitzer Prize finalist for A Registry of My Passage Upon the Earth (2020)—a pair of rebellious young lovers flee their Puritan Massachusetts village to seek refuge in the “north woods”: “They were Nature’s wards now, he told her, they had crossed into a Realm.” Readers, too, will find themselves in an entrancing fictional realm where the human, natural, and supernatural mingle, all captured in the author’s effortlessly virtuosic prose. Across the centuries, the cabin built by those lovers will transform and house a host of characters, among them Charles Osgood, a British colonist who establishes an apple orchard there; Osgood’s twin daughters, Alice and Mary, whose mutual spinsterhood conceals a bitter jealousy; and Karl Farnsworth, an avid hunter who sees the land as a “sportsman’s paradise” in which to open a private lodge (he hopes to host Teddy Roosevelt despite the “vile” sounds his distraught wife hears in the old structure). Many chapters read like found historical documents, including one side of the correspondence between painter William Henry Teale and his friend Erasmus Nash, a poet, whose visit to the north woods house will have an unexpected impact on both their lives—and those of future inhabitants. Elsewhere we find “Case Notes on Robert S.,” in which a psychiatrist pays a house call to a resident suffering from possible schizophrenia and given to auditory hallucinations while wandering the forest; and “Murder Most Cold,” a dispatch by TRUE CRIME! columnist Jack Dunne, summoned from New York to look into a gory death on the property. Throughout, this loose and limber novel explores themes of illicit desire, madness, the occult, the palimpsest of human history, and the inexorable workings of the natural world (a passage recounting the fateful mating of an elm bark beetle is unforgettable), all handled with a touch that is light and sure.
Like the house at its center, a book that is multitudinous and magical.Pub Date: Sept. 19, 2023
ISBN: 9780593597033
Page Count: 384
Publisher: Random House
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
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BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
A masterful, highly readable rendering of the Greek classic.
A bloody tale of ancient war and grief comes to vibrant life in modern-day English.
While, in 2018, Wilson was the first woman to translate Homer’s Odyssey into English, her Iliad is the second by a woman in the past 10 years, following Caroline Alexander’s in 2015. The new work, like her well-received Odyssey, is a hefty package of more than 700 pages, with a highly informative introduction, maps, textual notes, genealogies, and a glossary. Wilson has again presented a Homer that sings, in sprightly iambic pentameter and pellucid language that avoids ponderosities like, well, ponderosities and pellucid. It’s repetitious, yes. The last phase of the Trojan War alternates between bickering and battles, starting with the fateful falling out of Achilles and Agamemnon that causes the former to withdraw to his tent for the next 400 pages. Thereafter, and often, the gods bicker and the military leaders bicker, and when they’re not fighting verbally, the stage is filled with sorties, routs, and one-on-ones, gorefests whose repetition is relieved by some variety in the slaughter, as eyeballs pop out or entrails pour out or heads come off, leaving torsos to tumble to the ground with a clatter of bronze armor. The shortness of Wilson’s lines—compared to Alexander’s or those in the popular translation by Richmond Lattimore—abetted by her unfussy diction and lyricism, are easy on the reader’s eye and seem to help the mind grasp the breadth of Homer’s canvas at any given moment while still marveling at details. Part of that bigger picture is a complex ambivalence about war, which can bestow or restore honor but also destroys friends, families, towns—the common bonds from which people and nations build empathy and tolerance. That message is clear in the closing scenes, as Achilles grieves for his lifelong companion, Patroclus, and Troy mourns Hector.
A masterful, highly readable rendering of the Greek classic.Pub Date: Sept. 26, 2023
ISBN: 9781324001805
Page Count: 720
Publisher: Norton
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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BOOK REVIEW
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