An enchanting cabinet of curiosities and wonders.

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A REGISTRY OF MY PASSAGE UPON THE EARTH

Nine tales of human endurance, accomplishment, and epiphany told with style and brio.

Mason is one of our best historical novelists, creating panoramas of rich detail, propulsive plot, and artful character development in novels such as The Piano Tuner (2002) and The Winter Soldier (2018). In his first story collection, he shows how quickly and completely he can immerse readers in a foreign place and time. “Death of the Pugilist, or The Famous Battle of Jacob Burke & Blindman McGraw” is—if you’ll forgive the wordplay—a knockout punch: 17 short, numbered rounds recounting the life of a Bristol stevedore whose fate awaits him in the ring of an 1824 boxing match so vividly described you can almost taste the blood. (Yes, the title is a spoiler.) “The Ecstasy of Alfred Russel Wallace” follows an English “bug collector” and “species man” who is “entranced by life’s variety” to go to the Malay Archipelago, where, burning with fever, he concocts a theory of the natural world: “Everywhere he looked he saw the struggle for existence. He could not happen upon an insect without wondering how every trait had saved it from nature’s forge.” Did we mention that this real-life, little-remembered figure is also a correspondent of the great and celebrated Charles Darwin, whose return letters mysteriously cease once the theory has been shared? In “The Line Agent Pascal,” the titular Frenchman maintains a solitary railway station deep in the Amazon rainforest, his only human connection coming, Twitter-like, with other agents along the telegraph line. “However distant his colleagues were, he’d come to understand them intimately over the years, could describe each man, each station, with details he had never seen,” Mason writes. A pair of stories with female protagonists—one an 18th-century hot air balloonist—offer relief from an overwhelmingly male cast.

An enchanting cabinet of curiosities and wonders.

Pub Date: May 5, 2020

ISBN: 978-0-316-47763-5

Page Count: 240

Publisher: Little, Brown

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

ONE GOOD DEED

Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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