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STRUT, BABY, STRUT

A serviceable but not particularly stellar ode to female empowerment.

Kroll encourages girls and women along every step of their life journey.

A Black infant with Afro puffs shimmies, crawls, and wobbles. When she grows into a toddler, she meets two other girls: one White and redheaded with twin ponytails and the other brown-skinned, straight-haired, and cued as Asian. The book follows these girls and their friendship as they grow and change, with the text addressing them directly throughout: baby, toddler, little girl, big kid, teen, young lady, woman. The messaging is overtly motivational: “lean toward tomorrow,” “reach high, / for all your dreams,” “always do you,” “know your worth,” and “make yourself proud.” Glenn’s digital artwork is full of bold colors, background patterns, and smiling faces and refreshingly shows girls discovering their passions as they age (in this case, activism, soccer, and photography.) No boys or men are pictured, and the girls all resemble their mothers, missing an opportunity to show family diversity. There is, however, fat representation, and a background character wears a hijab. The story rhymes, but the text layout sometimes makes it hard to determine the directionality of print, so some readers may miss the rhyming pattern; also, the meter is often clunky and lacks polish, making the book tough to read aloud fluidly. An audience is hard to pin down—the simple presentation is ideal for emergent readers, but the time skips may fly over their heads. (This book was reviewed digitally.)

A serviceable but not particularly stellar ode to female empowerment. (Board book. 2-adult)

Pub Date: Jan. 4, 2022

ISBN: 978-1-5344-9859-4

Page Count: 34

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 26, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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LITTLE BLUE TRUCK'S VALENTINE

Little Blue Truck keeps on truckin’—but not without some backfires.

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Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.

His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.

Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)

Pub Date: Dec. 8, 2020

ISBN: 978-0-358-27244-1

Page Count: 20

Publisher: HMH Books

Review Posted Online: Jan. 18, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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