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STRUT, BABY, STRUT

A serviceable but not particularly stellar ode to female empowerment.

Kroll encourages girls and women along every step of their life journey.

A Black infant with Afro puffs shimmies, crawls, and wobbles. When she grows into a toddler, she meets two other girls: one White and redheaded with twin ponytails and the other brown-skinned, straight-haired, and cued as Asian. The book follows these girls and their friendship as they grow and change, with the text addressing them directly throughout: baby, toddler, little girl, big kid, teen, young lady, woman. The messaging is overtly motivational: “lean toward tomorrow,” “reach high, / for all your dreams,” “always do you,” “know your worth,” and “make yourself proud.” Glenn’s digital artwork is full of bold colors, background patterns, and smiling faces and refreshingly shows girls discovering their passions as they age (in this case, activism, soccer, and photography.) No boys or men are pictured, and the girls all resemble their mothers, missing an opportunity to show family diversity. There is, however, fat representation, and a background character wears a hijab. The story rhymes, but the text layout sometimes makes it hard to determine the directionality of print, so some readers may miss the rhyming pattern; also, the meter is often clunky and lacks polish, making the book tough to read aloud fluidly. An audience is hard to pin down—the simple presentation is ideal for emergent readers, but the time skips may fly over their heads. (This book was reviewed digitally.)

A serviceable but not particularly stellar ode to female empowerment. (Board book. 2-adult)

Pub Date: Jan. 4, 2022

ISBN: 978-1-5344-9859-4

Page Count: 34

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 26, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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GRUMPY MONKEY

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...

It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?

When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)

Pub Date: May 15, 2018

ISBN: 978-0-553-53786-4

Page Count: 32

Publisher: Random House

Review Posted Online: Feb. 18, 2018

Kirkus Reviews Issue: March 1, 2018

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STOP! BOT!

The visual details invite interaction, making it a good choice for storytime or solo inspection.

It’s a quiet day, until….

“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.

The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)

Pub Date: July 23, 2019

ISBN: 978-0-425-28881-8

Page Count: 40

Publisher: Viking

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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