A collection with so many important stories that some of the less successful ones could have been left out.
Cultural loss, romantic disappointment, sexism, sexual violence, and the cost of racism are examined in close to five dozen stories told through the eyes of Black and Puerto Rican characters.
The biracial children in the stories in the first section, "Quarter Rican," are all pursuing their Puerto Rican heritage: by sneaking behind their mother’s back to learn Spanish, searching for Puerto Rican faces on TV reruns, or scouring the neighborhood for old men who might be their grandfathers. What they don’t know is how much their Black grandmother struggled after her Puerto Rican husband abandoned her, returning to the island and starting a new family. Told from a constellation of points of view, these stories, many of which are no longer than five or six pages, accumulate emotional force and capture the complexity of families and generational divides. Gautier is a master of the short-short story (often referred to as sudden fiction). Pieces like “My Mother Wins an Oxygen Tank at the Casino, or, My Mother Makes an Exception” and “Forgive Me” evoke the fierce love of daughters for their mothers in just two pages, and “Summer Says” swiftly captures summer’s pleasures in the Brownsville neighborhood of Brooklyn: “All summer we have the days to ourselves, the neighborhood to ourselves, and the streets are ours for the taking,” the children announce. “Each morning we are few, but by afternoon we are legion.” Sometimes, brevity does a disservice to Gautier’s subject matter, especially when she’s writing about women’s disillusionment with men. In “So Good To See You,” for example, a woman goes on a quasi-date with an old high school friend who spills gravy on his tie and thinks he’s a “good catch” just by virtue of not being in jail. This and a handful of other stories strike a single note and move on. Still, Gautier has a real gift for finding dignity and bravery in the lives of ordinary women. The collection’s final stories focus on Mrs. McAllister, an aging woman whose commitment to her family, especially her dead sister, may move you to tears.
A collection with so many important stories that some of the less successful ones could have been left out.Pub Date: Jan. 16, 2024
ISBN: 9781593767587
Page Count: 240
Publisher: Soft Skull Press
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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