Lively and richly detailed.
The ambitious daughter of a famous illusionist grows up aboard a circus traveling through Europe—till the arrival of World War II throws her world into chaos.
Even within the traveling circus she’s always called home, Lena Papadopoulos has always felt different. Dependent on a wheelchair after a harrowing infant case of polio that also left her motherless, Lena has never been accepted by the other circus children; instead of playing with them, she spends her time reading and attending museum exhibits with her doting, overbearing father, Theo. Only within her studies does Lena feel truly at home—a brilliant student, she’s especially drawn to medicine and science, which is, she thinks, “where the real magic lay.” She passes her days poring over complicated anatomical diagrams and playing in the circus train’s hiding places—till the arrival of a runaway named Alexandre, whose unconscious body Lena stumbles across one day. Like Lena, Alexandre is an outsider—a Jew and an orphan—and, as he recovers from an illness aboard the train, he and Lena become fast friends over marathon games of gin rummy and shared snacks. Meanwhile, Theo takes wily Alexandre under his wing as an apprentice illusionist. But just as Lena’s life begins looking up, the circus’s crowds thin with Europe teetering on the precipice of war. And soon after Alexandre’s identifying papers go missing from the circus master’s office, SS officers capture Alexandre and Theo, whose parting words to his daughter—"I will find you. I promise”—echo in Lena’s ears for years to come. While Lena struggles to accept her father’s and Alexandre’s presumed deaths (unbeknownst to her, the two have been contracted to work as entertainers in a “model town” for Jews), all three fight to survive. Immersive and intricately plotted, this novel brings to life the precarious, colorful world of circus performance in prewar Europe, where nothing is as it seems, danger lurks around every corner, and success is a matter of confidence, luck, and risk. Lena, Alexandre, and Theo are lovable characters, each backed by three-dimensional backstories that expand and intersect satisfyingly as the novel progresses. Though the romantic thread is underdeveloped, Parikh has created a carefully researched historical debut whose bighearted, sensitive protagonist makes the reader’s emotional journey well worth it.
Lively and richly detailed.Pub Date: Dec. 6, 2022
ISBN: 978-0-593-53998-9
Page Count: 384
Publisher: Putnam
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
