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RULES OF CIVILITY

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.

Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.

An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.

Pub Date: July 25, 2011

ISBN: 978-0-670-02269-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE GLITTERING HOUR

Flamboyantly written, if a little too conventionally peopled and plotted.

A treasure hunt leads a young girl to discover her mother’s darkest secret.

In 1936, 9-year-old Alice has been consigned by her mother, Selina Lennox Carew, to the care of her Lennox grandparents at their ancestral stately home, Blackwood Park. The reason for this custodial arrangement is Selina’s trip to Southeast Asia with Alice’s cold, distant father, Rupert, who needs to visit his ruby mines in Burma. Alice is kept abreast of her parents’ travels through her mother’s letters, delivered by longtime family servant Polly. Alice is also directed, by Polly, to discover clues set by her mother, leading the girl on a treasure hunt that helps lift her out of her depression. Alice’s Blackwood sojourn alternates with chapters set in 1925, when young Selina, age 22, is setting the London tabloids ablaze with her antics as one of a cadre of Bright Young People, devil-may-care upper-class flappers and their escorts. But everything changes when, on a madcap treasure hunt of her own, Selina meets Lawrence Weston, a struggling portrait painter and aspiring photographer. The two are drawn inexorably into an affair. Selina's choice of a passionless marriage to Rupert over life with her soul mate, Lawrence, is the fateful decision on which the novel turns, and her rationalizations will be a little too pat to satisfy most readers. Nor will readers be long baffled by Alice’s hunt—given the 1925 backstory, the solution to the puzzle is obvious almost from the start. But genuine surprises do await, even if they entail punishing Selina, after the manner of post-Code Hollywood melodrama, for her breach of class boundaries, disregard for propriety, and unladylike smoking and drinking. The characters verge on stereotypical although there are no true villains and only the domestics lack flaws, particularly Polly and Mr. Patterson, the gardener who introduces Alice to the redemptive joys of nature. However, Grey’s use of sensory detail, enlivening the most mundane of scenes, redeems this novel, too.

Flamboyantly written, if a little too conventionally peopled and plotted.

Pub Date: Dec. 10, 2019

ISBN: 978-1-250-06679-4

Page Count: 480

Publisher: Thomas Dunne Books

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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THE ANIMALS AT LOCKWOOD MANOR

A moody exploration of bleak wartime Britain.

Healey looks back fondly at the tradition of spooky English country-house fiction while adding a few twists of her own.

With more than a few nods to Jane Eyre and Rebecca, this debut novel throws an awkward but stalwart heroine into a decaying house with history and mystery to spare. Friendless Hetty Cartright has found a home working among the stuffed specimens at a major natural history museum in London. When, in 1939, the museum decides to farm out its collection to houses in the countryside in order to avoid their destruction in the anticipated bombing of the city, Hetty is assigned to guard the stuffed mammals in their temporary home at Lockwood Manor. The decaying manor, ruled by the imperious and lascivious Lord Lockwood, has “four floors, six flights of stairs, and ninety-two rooms,” some with resident ghosts, and Hetty soon has her hands full attempting to protect the animals, some of which disappear and many of which she finds in disconcerting new spots. Scorned by the household staff, Hetty finds an ally in Lord Lockwood's sensitive, unstable daughter, Lucy, who narrates the portions of the novel that Hetty doesn't. As the two become closer and face their individual fears and insecurities, the peril of the house amps up, culminating in a disastrous party. While Healey sometimes lays on the atmospheric menace with a heavy hand, especially considering how light on action the novel actually is, and though she ties up her plot threads in a few hasty pages, her depictions of the historical period and of the dread of anticipating full-scale war are vivid. The animals, frozen in place and unable to defend themselves either against the encroaching Germans or the more immediate dangers of the live animals and insects that want to devour them, mirror the plight of the women caught in Lockwood Manor.

A moody exploration of bleak wartime Britain.

Pub Date: March 10, 2020

ISBN: 978-0-358-10640-1

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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