Although Pajalić bravely deals with some serious adolescent issues, the book lacks an original angle on teen drama.
In Pajalić’s high school YA drama, a Bosnian girl in Australia attends a new school where she tries to befriend the sister she didn’t know she had.
Alma Omerović experiences the “most traumatic day” of her 15 years of life—she learns that her father, Esad, had a daughter no one in the family knew about (including Esad himself). In an effort to get to know this daughter, Sabiha, Esad moves the family from Hobart to Melbourne and enrolls Alma in the same school as his estranged daughter. Sabiha grew up under the assumption that Esad had abandoned her and her mother, and she spurns his affections as well as Alma’s attempts to establish a sibling bond with her. Alma slowly makes some headway into Sabiha’s group of friends—they call themselves the “Sassy Saints,” a coinage typical of author Pajalić’s thoroughly predictable montage of adolescent tropes. Alma laments her lonely experience as the outsider: “Every day was like walking underwater and fighting to get to the surface for a breath. There were currents and undertows and I constantly wished that I’d been able to stay in my old school and avoid the drama.” Meanwhile, Alma begins a romantic relationship with older student Alex Payne, a smooth talker with a “sparkling smile” who is either a sweet boyfriend or an exploitive scoundrel. The author hits all the big issues of adolescent life—religious bigotry and racism, sexual identity, the perils of sexting, and the pressure to cross the threshold from virginity into sexual maturity. It’s hard to ignore the feeling of a checklist being diligently completed here. Yet the author does perceptively capture the sneaking suspicion among teens that their adult superiors are monstrously hypocritical, a revelation encountered as a betrayal. Still, much of the book is a rehash of familiar themes, lacking freshness and vivacity.
Although Pajalić bravely deals with some serious adolescent issues, the book lacks an original angle on teen drama.Pub Date: Oct. 22, 2022
ISBN: 9781922871176
Page Count: 236
Publisher: Pishukin Press
Review Posted Online: Jan. 9, 2023
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
