An assiduously researched, cleareyed depiction of genocide.
In Pajalić’s novel, the lead enters adolescence during the Serbian ethnic cleansing of Muslims in Bosnia.
After the influx of refugees from the ongoing genocide, Dževahira Torlak, who goes by Seka, lives in besieged Srebrenica with her parents, grandparents, older brother, her mother’s sister and sister-in-law, as well as an uncle and two young cousins. Her family has taken in two refugees, Edina Muharemović and her son, Ramo, who is Seka’s age. As the family works to survive continual bombing, snipers, disease, and hunger, Seka and Ramo grow close and begin a romance as the years go by. In imitation of Anne Frank, Seka, who’s Muslim, writes in a diary to her friend, Zora, a Serb who evacuated with her family before the war. Seka’s writing eventually brings her into contact with a journalist from Australia, where Zora now lives. Alyssa, the journalist, enlists Seka to write an exposé of the corruption in Srebrenica, which stems from closer to home than Seka first realizes. While the novel doesn’t require foreknowledge of the Bosnian genocide, Pajalić doesn’t provide much scaffolding; readers may want to research as they read. In an introduction, Pajalić provides trigger warnings, an index, and a glossary, all helpful tools for this harrowing story. According to the author, the “novel blends factual history with fictional storytelling to explore themes of justice, trauma, and complicity.” She gathered information for the novel from interviews she conducted with survivors of the genocide. Essays based on these interviews are collected in another of Pajalić’s books, Fragments of History: The Essays Behind the Stories. The novel, a thriller, deploys the drama and tension of the genre, though the action falls a bit flat during one character’s sudden villainous turn. Devastating descriptions of the gory consequences of war are the standout scenes here. Still, Seka experiences moments of beauty and joy, all lushly described: “I lost myself in the music, the anonymity of the darkness around us, the heaving bodies, and closed my eyes as I moved.” The novel skewers the international community’s complicity in genocide, which continues today.
An assiduously researched, cleareyed depiction of genocide.Pub Date: Nov. 1, 2025
ISBN: 9781922871534
Page Count: 330
Publisher: Pishukin Press
Review Posted Online: Aug. 6, 2025
Kirkus Reviews Issue: Oct. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A flawed but necessary read about a dark moment in American history.
See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.
In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.
A flawed but necessary read about a dark moment in American history.Pub Date: June 9, 2026
ISBN: 9781982117054
Page Count: 384
Publisher: Scribner
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
BOOK REVIEW
BOOK REVIEW
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