A portrait of expatriate nostalgia, shaded heavily with immigrant identity angst and generational conflict, by a leading...
Transcontinental family saga about a young Indian immigrant to California who slowly rebuilds her life after a failed suicide attempt.
Poor Devi has come to the conclusion that she’s a failure: an unendurable thought for the daughter of overachievers. Born in India to a socially prominent family, Devi came to America as a girl when her father, Avi, founded a technology firm that prospered and grew into one of the earliest successes of Silicon Valley. Devi’s sister Shobha is the vice president of an engineering firm, and Shobha’s husband, Girish, is a professor at Stanford. Devi’s mother, Saroj, is a traditional Indian wife and mother, but even she grew up in an atmosphere of success as the daughter of an Indian Army brigadier. So the expectations for Devi are pretty high—which makes good odds for failure, statistically speaking. And she flunks the test with flying colors. To begin with, she is unmarried and has just ended an affair with a married man. Second, she has lost her job in the midst of the NASDAQ crash of the late 1990s. Plus, she has lost a baby that no one knows about. So Devi slits her wrists one morning in her bathtub and settles back to let nature take its course. Fortunately for her, however, her pushy mother likes to drop in unannounced and arrives for a visit in time to call an ambulance. After a close call like that, Devi is returned to her parents’ for observation and recovery. Saroj broods over her daughter and begins for the first time to question her own fate as well: an introspection that leads to some unusual developments, as does the revelation of Devi’s miscarriage. Things were so much easier back in India.
A portrait of expatriate nostalgia, shaded heavily with immigrant identity angst and generational conflict, by a leading multicultural voice (The Mango Season, 2003, etc.).Pub Date: Oct. 26, 2004
ISBN: 0-345-46612-8
Page Count: 272
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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