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LITTLE SWEET POTATO

Name: LITTLE SWEET POTATO
Author: Amy Beth Bloom
ISBN: 978-0-06-180439-7

by Amy Beth Bloom & illustrated by Noah Z. Jones ‧ RELEASE DATE: Sept. 1, 2012

A tale of rejection and acceptance with echoes of "The Ugly Duckling." (Picture book. 4-7)

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Accidently uprooted from his garden patch, a sweet potato is repeatedly excluded from other gardens before landing in just the right place.

Little Sweet Potato has lived peacefully in his garden patch until vibrations from a tractor shake him loose from his vine and toss him onto a road. Wondering how to get back home, he bravely rolls to another garden, occupied by resident carrots who wiggle “their long orange bodies,” call him “lumpy, dumpy, and…bumpy” and reject him. Little Sweet Potato resolutely continues to another patch, where handsome eggplants with satiny skin refuse him because of his “dumpy, bumpy, and kinda lumpy” appearance. At the next garden, flowers with “velvety blue and yellow faces” shun Little Sweet Potato because he’s a “lumpy, bumpy, dumpy vegetable.” Following similar receptions from the grapes and squash, Little Sweet Potato is about to give up when he’s welcomed into a garden teeming with all kinds of plants who praise his lumpy, dumpy, bumpy figure. Rendered in strong black outlines and bright colors, the comical illustrations track Little Sweet Potato’s solitary roll across sequential double-page spreads. Cartoonlike, anthropomorphic veggies, fruits and flowers add humor with their hilarious expressions, ranging from haughty and scornful to enthusiastic and approving.

A tale of rejection and acceptance with echoes of "The Ugly Duckling." (Picture book. 4-7)

Pub Date: Sept. 1, 2012

ISBN: 978-0-06-180439-7

Page Count: 32

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: July 24, 2012

Kirkus Reviews Issue: Aug. 15, 2012

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
A PERFECT PLACE TO PLAY
by Tish Rabe ; illustrated by Jim Valeri

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ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

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FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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THE MOST MAGNIFICENT THING

by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

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Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)