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ALL ROADS LEAD TO AUSTEN

A YEAR-LONG JOURNEY WITH JANE

A delightful romp that should appeal to those who appreciate the savvier realms of chick lit.

How successfully does the world of Jane Austen translate into Spanish? One intrepid author finds out in this travel memoir/literary exploration.

On sabbatical, Austen devotee Smith (Writing and Literature/Univ. of the Pacific) embarked on a project to discuss Pride and PrejudiceSense and Sensibility and Emma with reading groups in Latin America. Displaying the good cheer and wry humor befitting an Austenite (as opposed to, say, an Emily Brontë or George Eliot enthusiast), she plunged into Spanish immersion classes in Guatemala, then set off for a romantic fling and the first of several reading adventures in Puerto Vallarta, Mexico. Smith was happy to discover that Austen’s genteel 19th-century English setting and formal narrative style proved to be relatable to her eager readers: Nearly all of them recognized their own lives in the plots and affirmed that issues of gender, class and familial obligation transcend era and locale. Smith ably captures the lively, often heated, tone of these literary gatherings and delves into the unique characteristics of each country, showcasing an Ecuadorean park teeming with iguanas, a multi-block stretch of Argentinean bookshops, and a tranquil Chilean monastery complete with its own on-site rooster. While the reading-group discussions tend to blur together by the end, Smith remains an engaging narrator throughout. A reader would need to possess either a truly cold heart or a pathological aversion to Austen to begrudge her the swoon-worthy happy ending to her tale.

A delightful romp that should appeal to those who appreciate the savvier realms of chick lit.

Pub Date: June 1, 2012

ISBN: 978-1-4022-6585-3

Page Count: 352

Publisher: Sourcebooks

Review Posted Online: April 14, 2012

Kirkus Reviews Issue: May 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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