A trenchant comedy of class and the way we live now.
You, too, can have a beach house in the Hamptons...sort of.
"I used to think aliveness was a binary: a person was either alive or dead. But now I know that aliveness is more like something on a continuum, like the pain scale. And I want to be more alive. I want to be as alive as possible. My beach house would help me do that." Shelly Means, nonworking mother of two, wife of a struggling voice-over narrator, denizen of a part of Manhattan she calls the "discount caftan and incense district," is obsessed. Lucky for her, the woman who is providing online cognitive behavior therapy for her anger issues (Shelly threw her water bottle at the school board president) is also a real estate broker and knows just the tick-infested, nonwaterfront piece of land in a part of the Hamptons she and George can afford, once they sell their raccoon-infested lake house. And if they construct the house out of used shipping containers, give up all but the most basic amenities, and take out a loan, they may even be able to build on it. With its deadpan absurdity, pithy prose, and moral je ne sais quoi, Fusselman's latest will appeal to fans of Marcy Dermansky. With its sapient talking dog, readers of Susan Coll. And with its satire of the particular hypocrisy of the Hamptons, including homeowners associations, graft, and garbage and recycling practices, Maria Semple. Running jokes abound, involving, among other things, raccoons, Japanese toilets, nutrition bars called Generosity, Vulnerability, and Caring, and seltzer called Loving. We may be entering a golden age of the comic novel, surely one of the best possible outcomes of this desperate moment in history. Take it from Shelly's teenage son: “If you need money, you should write fiction. That’s what Roberto Bolaño did after he had a family and wanted to make money: he turned to fiction.”
A trenchant comedy of class and the way we live now.Pub Date: Sept. 6, 2022
ISBN: 978-0-06-324871-7
Page Count: 256
Publisher: Mariner Books
Review Posted Online: July 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
PERSPECTIVES
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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