by Amy Gajda ‧ RELEASE DATE: Jan. 5, 2015
An eye-opening, relevant and cautionary book.
A lawyerly look at what threatens journalistic free speech liberties.
As a former journalist, Gajda (Law/Tulane Univ.; The Trials of Academe: The New Era of Campus Litigation, 2009) critiques and advises on matters of privacy and free speech with a keen journalistic eye. She explores the ways public scrutiny by news media (while protected under the guise of “newsworthiness”) tarnishes the notion of public privacy. As First Amendment constitutional protections for the press continue to expand, the “balance between privacy rights and public interests” becomes increasingly skewed. The author cites the current wave of ubiquitous social media, where personal information is willingly and willfully disseminated, as a prime instigator fueling the privacy rights debate. But at what point do First Amendment rights trump personal privacy rights? Her thoughtful discussion includes chapters juxtaposing journalism’s former golden age with the lax media standards of today’s paparazzi and shock reporters, where “push-the-envelope behavior has elevated privacy concerns to new levels.” Writing in concise, authoritative language, Gajda reiterates the significance of free speech, freedom of the press and the preservation of personal liberties within a complex debate that has become frustratingly blurred by legal ambiguities and loopholes. Fully utilizing (if overly reliant upon) pivotal court cases, she also highlights ruthless vigilante programs like To Catch a Predator and stories of misbehaving celebrities who have been scrutinized for wrongdoings by exploitative websites infamous for straddling ethical boundaries. Ultimately, Gajda writes, this is subject matter that will fester for decades as digital and social media erode the protective facade of personal privacy and evaporate the guidelines of what is considered newsworthy. She concludes with an appeal for change in how the law appropriates the First Amendment framework in both the private sector and within news media circles.
An eye-opening, relevant and cautionary book.Pub Date: Jan. 5, 2015
ISBN: 978-0674368323
Page Count: 320
Publisher: Harvard Univ.
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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BOOK REVIEW
by Amy Gajda
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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