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THE ASHWATER EXPERIMENT

The daughter of happily itinerant parents gets a world-altering taste of settled life in this engagingly cast story. Having spent her entire life on the road, nine months in one place looks like prison to Hillary, but her parents have agreed to house-sit for a family on sabbatical. Treating the experience as a test of character imposed by unseen watchers, she abandons her usual self- imposed isolation and deliberately sets out to make connections in her new (and her 18th) school, agreeing to tutor Brian, a student with Attention Deficit Disorder, in math, joining the circle of class queen Serena, and forming an unexpectedly deep friendship with Cass, a thoughtful loner. Readers will see past her pretense that it’s all just role-playing to the lonely, sensitive child within, and will be further attracted by the quiet competence with which she faces each challenge, whether it be managing the family finances for her feckless parents or mending fences with a jealous classmate. The roots this new life strikes in Hillary are deep and quick, but Koss (The Trouble With Zinny Weston, 1998) gives the tale an unpredictable twist when Cass indignantly rejects her grandparents’ offer of a permanent home, then pays the price when she and her parents are suddenly forced to pull up stakes. Undercurrents of humor, and characters who seem typecast initially but develop surprising complexities, give this bittersweet tale unusual depth. (Fiction. 10-13)

Pub Date: June 1, 1999

ISBN: 0-8037-2391-1

Page Count: 151

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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DAVID GOES TO SCHOOL

The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)

Pub Date: Sept. 1, 1999

ISBN: 0-590-48087-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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