Taut, beautifully written, and suspenseful, this resonant, feminist drama eschews easy answers. A page-turner of the highest...
When one person’s political passion conflicts with the rest of her family's desires, tensions are inevitable.
Rachel Clayborne, Michael German, and their infant daughter, Deirdre, have been living in Illinois, close to the college where Michael teaches. Rachel has been halfheartedly working on a Ph.D. in environmental science, but, since giving birth, her energy has flagged and she’s begun questioning her commitment to the field. She’s also depressed and angry—doubting that she’s well-suited for the domesticity she’s somehow fallen into. She’s stewing, so when her dad phones and informs her that her grandmother, called Grand, is dying, she and Deirdre sneak off in the middle of the night and drive to the Farm, the Wisconsin home that's been in the Clayborne family for generations. Rachel doesn’t leave a note about their destination—she and the child just vanish while Michael sleeps. Once in Wisconsin, she and Grand easily reconnect, and despite Grand’s frailty and memory lapses, the pair are buoyed by one another. Still, tensions arise. The main issue involves Grand’s plan to leave the Farm to Diane Bishop, her Native American nurse and longtime friend, in essence returning the land to the Ojibwe people who once owned it. After all, Diane argues, the Claybornes acquired the property fraudulently and restoring it is simply making things right. Grand agrees, changes her will, and sets off a battle royal within the Clayborne family. Along the way, Rachel connects with her first love, Joe Bishop, Diane’s son and the caretaker of an area dam, and grapples with issues including marital fidelity, family ties, indigenous rights, and lifestyle preferences.
Taut, beautifully written, and suspenseful, this resonant, feminist drama eschews easy answers. A page-turner of the highest caliber.Pub Date: Sept. 16, 2016
ISBN: 978-1-597-09753-6
Page Count: 344
Publisher: Red Hen Press
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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