Although plunged into devastating losses as well as great joy, Hatvany’s characters suffer from a lack of emotional range...
What if the best thing for an artist is to lose his creativity? What if the best thing for a father is to leave his family? What if the best thing for a little girl is to lose her father? Who decides what’s best?
Hatvany (Best Kept Secret, 2011, etc.) explores the collisions between mental illness and societal expectations, artistic creativity and medical treatment, love and responsibility. David loves paints passionately, loves his wife Lydia and adores his daughter Eden. The demons of mental illness screech in his head, yet the price of silencing them is steep. Although self-medicating with alcohol dampens the voices, it does little for his impulsive behavior. Taking his prescribed lithium helps him stay inside the lines, behaving properly and making Lydia believe he is trying to get better. But the lithium destroys his creativity and deadens his emotions. Young Eden stands by her father’s side through years of depression, hospitalizations, jail, lies and self-recriminations. Given a final chance by Lydia to take his medication and get well, David fails again. But this time he is driven so deeply into self-loathing that he attempts suicide. Realizing how dangerous David has become to Eden’s well-being, Lydia finally drives him away from his family. Haunted by his absence, Eden spends her life searching for him, wondering what might have been. As she searches homeless shelters and soup kitchens, she meets Jack Baker. An advocate for the people who live outside the lines, Jack offers Eden the chance to understand her father’s world. He also offers her the chance to find real love, anchoring her when she, at last, finds David. But after 20 years, how will father and daughter reconnect?
Although plunged into devastating losses as well as great joy, Hatvany’s characters suffer from a lack of emotional range and a predictable plot.Pub Date: Feb. 7, 2012
ISBN: 978-1-4516-4054-0
Page Count: 352
Publisher: Washington Square/Pocket
Review Posted Online: Jan. 4, 2012
Kirkus Reviews Issue: Jan. 15, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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