Fans will devour this addictive, indulgent, and crafty appraisal of one of reality TV’s biggest successes.
Dishing on The Bachelor, the wildly successful reality show franchise.
A true devotee of the show—“thirty-two years old, single, and Tindering up a storm”—Los Angeles Times writer Kaufman divulges her lifelong obsession with happily-ever-after romance and recalls when she wrote a weekly recap column, created an e-mail discussion group, and even hosted viewing parties at her home, where some of the bachelors themselves made special guest appearances. Though all of the show’s participants sign strict nondisclosure agreements, her book features a collective of past bachelors—and bachelorettes—willing to comment. Kaufman combs through the extensive and gritty entertainment career of Bachelor creator and producer Mike Fleiss (who declined participation) and profiles former co-executive producer Lisa Levenson and producer Michael Carroll, who were known for manipulating contestants using “emotional leveraging” tactics to capitalize on their psychological highs and lows. Kaufman provides a quick but astute history lesson on matchmaking shows like The Dating Game and Love Connection. She writes smoothly and readably on the Bachelor’s regimented casting process, the “ironclad twenty-seven-page” participation contract, and all of the juicy dish and dirt on the series (behind-the-scenes antics, “date pitches,” racial tokenism, Fantasy Suite dates). A random array of celebrities contribute personal opinions, including comic actress Amy Schumer (previously pursued to become the Bachelorette), who criticizes the lack of variety of female body types; reality buffet leftovers Heidi and Spencer Pratt, who used to live-tweet during the show “until it became an unsafe environment”; Donnie Wahlberg (“look, I cry at weddings”); and Diablo Cody (“I think the reason a lot of us enjoy watching it is because it makes us feel superior”). Now costing $2 million per episode to produce, Kaufman acknowledges that the series remains both a primetime gold mine and, artificially induced or not, an extreme cultural fascination for die-hard romantics of both sexes.
Fans will devour this addictive, indulgent, and crafty appraisal of one of reality TV’s biggest successes.Pub Date: Feb. 27, 2017
ISBN: 978-1-101-98590-8
Page Count: 320
Publisher: Dutton
Review Posted Online: Nov. 19, 2017
Kirkus Reviews Issue: Dec. 15, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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