by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: March 1, 2013
Funny and spirited (and secretly educational, but nobody will notice).
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Punctuation with pizzazz.
How does an exclamation mark learn his purpose? Pre-readers and readers alike will giggle and cheer to see the process. The setting is a warm yellowish beige background with a faint pulpy pattern and repeating horizontal lines with dotted lines halfway between them—penmanship paper. Each bold, black punctuation mark has a minimalist yet expressive face inside its circular dot. “He stood out,” explains the first page, as the titular protagonist looks on doubtfully. He tries hanging around with periods, but squishing his extension down into a spring doesn’t really work; even prostrate, “he just wasn’t like everyone else. Period.” (Hee! Rosenthal gleefully puns instead of naming any punctuation.) Mournful, “confused, flummoxed, and deflated,” the exclamation mark’s line tangles and flops. Then someone unexpected arrives. “Hello? Who are you?” queries the newbie, jovially pummeling the exclamation mark with 17 manic inquiries at once. “Stop!” screams the exclamation mark in enormous, bumpy-edged letters—and there’s his identity! The outburst’s anxious vibe dissipates immediately (and the question mark is undaunted by being yelled at). Finally, the protagonist has “[broken] free from a life sentence.” Snapping up usages that match his newfound personality, he zooms back to show the other punctuation marks. The zippy relationship between exclamation mark and question mark continues beyond the acknowledgements page.
Funny and spirited (and secretly educational, but nobody will notice). (Picture book. 4-8)Pub Date: March 1, 2013
ISBN: 978-0-545-43679-3
Page Count: 56
Publisher: Scholastic
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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