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WILLY AND MAX

A HOLOCAUST STORY

In WWII Antwerp, Christian Willy and Jewish Max become inseparable after Max’s father purchases a painting in the shop owned by Willy’s father, and they vow to be “friends forever.” When the Germans enter Belgium, Max and his family must flee and ask Willy’s father to safeguard the artwork, which storm troopers eventually steal. Sixty years pass. Now living in America, Willy receives word from a museum curator that the painting has been recovered—been located through an attached childhood photograph featuring the boys. This leads to Willy’s reunion with the now-deceased Max’s family to whom he returns the painting, symbolizing that, once again, it has united the friends. This touching story demonstrates that true friendship transcends all odds. Low’s paintings capture the time and place, and warm colors predominate as happy memories overshadow horrors. No explanation is given, however, as to just how the photo led the museum to locate Willy and Max’s family. An author’s note discusses efforts to restore artwork stolen by the Nazis to their rightful owners. (Picture book. 6-10)

Pub Date: March 1, 2006

ISBN: 0-399-23483-7

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2006

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THE TREE AND ME

From the Bea Garcia series , Vol. 4

A funny and timely primer for budding activists.

Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.

Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.

A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)

Pub Date: May 14, 2019

ISBN: 978-0-7352-2941-9

Page Count: 160

Publisher: Dial Books

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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THE HAUNTED MUSTACHE

From the Night Frights series , Vol. 1

Lighthearted spook with a heaping side of silliness—and hair.

Fifth graders get into a hairy situation.

After an unnamed narrator’s full-page warning, readers dive right into a Wolver Hollow classroom. Mr. Noffler recounts the town legend about how, every Oct. 19, residents don fake mustaches and lock their doors. As the story goes, the late Bockius Beauregard was vaporized in an “unfortunate black powder incident,” but, somehow, his “magnificent mustache” survived to haunt the town. Once a year, the spectral ’stache searches for an exposed upper lip to rest upon. Is it real or superstition? Students Parker and Lucas—sole members of the Midnight Owl Detective Agency—decide to take the case and solve the mustache mystery. When they find that the book of legends they need for their research has been checked out from the library, they recruit the borrower: goth classmate Samantha von Oppelstein. Will the three of them be enough to take on the mustache and resolve its ghostly, unfinished business? Whether through ridiculous plot points or over-the-top descriptions, the comedy keeps coming in this first title in McGee’s new Night Frights series. A generous font and spacing make this quick-paced, 13-chapter story appealing to newly confident readers. Skaffa’s grayscale cartoon spot (and occasional full-page) illustrations help set the tone and accentuate the action. Though neither race or skin color is described in the text, images show Lucas and Samantha as light-skinned and Parker as dark-skinned.

Lighthearted spook with a heaping side of silliness—and hair. (maps) (Fiction. 7-10)

Pub Date: Aug. 31, 2021

ISBN: 978-1-5344-8089-6

Page Count: 160

Publisher: Aladdin

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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