Four fable favorites cleverly repackaged.

FOX TAILS

FOUR FABLES FROM AESOP

Four of Aesop’s familiar fables feature wily fox shamelessly tricking his fellow creatures, followed by their gleeful retaliation, strung together in one continuous if episodic narrative.

First, hungry fox fails to retrieve a luscious bunch of grapes from a tree. To save his dignity, fox announces the grapes “are quite sour,” proving it’s “easy to scorn what you cannot get.” Then, fox encounters crow with cheese in her beak. When fox cleverly asks if crows really do have amazing voices, crow opens her mouth to caw, dropping the cheese. As he gobbles crow’s cheese, fox moralizes, “never trust a flatterer.” In his smugness at this victory, fox stumbles into a well—and then tricks hapless goat into helping him escape. Leaving goat in the well, fox warns to “look before you leap.” And finally, “one bad turn deserves another,” when goat, crow and stork give fox his just deserts. Lowry cleverly incorporates the four fables into a single story sequence with each fable adding to the theme of fox’s self-centered dishonesty. Pale gouache-and-pencil illustrations in muted greens, browns and greys provide a subdued, understated backdrop to fox’s self-serving antics while emphasizing the very human behavior of each animal character.  

Four fable favorites cleverly repackaged. (author’s note, morals) (Picture book. 4-8)

Pub Date: April 1, 2012

ISBN: 978-0-8234-2400-9

Page Count: 32

Publisher: Holiday House

Review Posted Online: Feb. 15, 2012

Kirkus Reviews Issue: March 1, 2012

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A sweet, soft conversation starter and a charming gift.

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BECAUSE I HAD A TEACHER

A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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